|
- ES-450 SP
- ES-450 JE
- ES-4/100
- ES-8/100
- ES-SIoMo

|
|
|
ES-450 SP
The ES-450 SP - Universal Jog/Shuttle Remote makes operation of professional video recorders fast and easy.
Controls Most Professional VTR’s and DDR’s
The ES-450™ is a fully functional 9-Pin/P2 Universal Jog/ Shuttle Remote Controller for VTR’s or DDR’s.It’s completely compatible with most professional machines including most BVW, UVW, DSR, DVW, HVR, DVCAM and and other 9-pin equipped VTR’s and DDR’s and servers from Sony, Pana- sonic, JVC, Doremi, Grass Valley, Harris and others.
The remote is designed for fast and easy editing. It incorporates a key- board layout which minimizes key strokes, a VTR style Jog/ Shuttle Wheel for convenient picture search operations, a back-lit LCD Time Code display for easy and accurate editing and much more.
Functionality is at your fingertips with clearly labeled buttons and a natural-feeling key arrangement that helps you work more efficiently.
The ES-450’s functions are laid out for fast and intuitive operation without having to tediously scroll through menus to get to often accessed features.
Fast access to Forward Play, Reverse Play, Rewind, Fast Forward, Still/Stop, Shuttle Select, Frame +, Frame, Mark In, Mark Out and Eject are arranged in an array around the wheel in easy reach. Record controls include Crash/Full, Assemble, Insert Video, A1, A2, A3 and A4 modes.
A numeric keypad provides easy entry of “search to time” locate operations.
There’s an alternative to large, costly and cumbersome remotes that consume valuable desk space. ES-450 is the first choice for professionals in control.
Audio Editing
The ES-450 employs an audio split function, which allows the audio edit in-point to be set differently from the video edit in-point. The ES-450 can effectively edit sound or music as well as it does video. |
| |
| |

|
|
|
ES-450 JE
ETHERNET JOG/SHUTTLE REMOTE
ES-450 JE™ is a new version of the ES-450 featuring the JLCooper Jog/Shuttle mechanism. A 10/100 Ethernet Interface provides long distance control over LAN, WAN or the Internet. It interfaces directly with Doremi Labs Video Servers and Disk Recorders, or use it with the our eBOX (listed on page 20) to remotely control serial equipped RS-422 servers or RS-232 devices over ethernet. |
| |
|
| |
ES-450 SP Features
- Professional Quality Compact Remote Control
- Sony Jog/Shuttle Mechanism
- High–Quality, Tactile Transport Keys
- Function Keys Provide Direct Access to Frequently Used Editing Features Including Shuttle Select, Frame +,
Frame-, Mark In, Mark Out, Eject & More
- Back-Lit LCD Time-Code Display
- RS-422/9-Pin Interface
- Numeric Keypad for Time Code Entry
- Durable All Metal Construction
|
|
ES-450 Physical Specifications
- Size - 6.5” x 10.5” x 3.5”
- Weight - 4 lbs
|
|
|
|
| |
| |

|
|
|
ES-4/100 - MOTORIZED FADER CONTROLLER
ES-4/100TM is an Edit Suite Series compact automation controller.
Audio mixing has never been this fast and easy. The ES-4/100 features four 100mm touch-sensitive, motorized faders, 16 channel switches, 4 function keys and bank shift buttons for control of Select, Solo, Mute and other functions.
It’s easy to refine and perfect your mix with the right tool for the job. The ES-4/100 is available in RS-232, RS-422, USB and MIDI versions.
ES-4/100 Physical Specifications
- 6.5” x 10.5” x 3”
- Weight 4 lbs.
|
| |
| |

|
|
|
ES-8/100 - MOTORIZED FADER CONTROLLER
ES-8/100 is an Edit Suite Series compact automation controller.
Audio mixing has never been this fast and easy. The ES-8/100 features 8 100mm touch-sensitive, motorized faders, 32 channel switches, 4 function keys and bank shift buttons for control of Select, Solo, Mute and other functions.
It’s easy to refine and perfect your mix with the right tool for the job. The ES-8/100 is available in RS-232, RS-422, USB and MIDI versions.
ES-8/100 Physical Specifications
- Size - 10.75” x 10.5” x 3”
- Weight - 6 lbs.
|
| |
| |

|
|
|
ES-SLOMO - UNIVERSAL INSTANT REPLAY CONTROLLER
ES-SloMo™ is a compact controller for News, Sports, QC, transfer, dubbing and other editing operations. It makes precise control of professional VTRs, DDRs or Server Channels quick and easy. It’s a full featured 4-machine editor and universal Jog/Shuttle remote. It’s sleek design and low cost, make it the perfect addition to edit suites, remote trucks and other studio applications.
ES-SloMo features include professional transport buttons, VTR style Jog/Shuttle mechanism for convenient picture search opera- tions, a high-quality T-Bar for slo-mo and shuttle tape operation, an easy to read 2 x 16 VF display for accurate editing, a full size numeric keypad, fast access function keys. Odetics mode for seamless clip playout and new GangWay16 integration that allows individual control of up to 16 machine/server channels.
ES-SloMo Features
- Controls a wide range of VTRs and DDRs and Video Servers
- Assemble, Insert, Crash and Disable (Lock Out) Editing Modes
- Mark In and Mark Out keys store up to 500 total cue location points
- Simultaneous Control of up to 4 VTRs, DDRs or Server Channels via 4 RS-422 9Pin Serial Ports
- T-Bar Control for slow motion control sends Shuttle, Jog or Variable Play
- Dynamic slow motion replays directly accessed from the ‘T’ bar
- T-Bar Programmable - Min-Max, Preset Speeds, Active or Passive Modes
- Programmable Cueing Modes - Automatic Play All Cues Function
- Log Operation useful in QC Applications
- 16 Variable Replay Speeds
- EE/PB switching
- Global record lock feature
- USB Version available for Developers/OEMs
- Integrated quad snake/power cable minimizes desktop clutter. A single cable extends 10' so that all connections can be hidden neatly away from the operator including a remote power connection.
ES-SloMo Features
- Compact Design
- Controls 4 Machines
- VF Timecode Display
- Numeric Keypad
Physical Specifications
- Size 10” x 10.25” x 3”
- Weight 6 Lbs.
|
| |
| |

|
DigiMax LT
- ADAT™ LightPipe Output
- Eight Dual Servo Mic Preamps and Line Inputs
- Eight TRS Insert Points
- Linear Internal Power Supply
- 48V Phantom Power on Each Channel
- -20dB Pad on Each Channel
- Adjustable Sample Rates
- BNC I/O for Sync
|

|
Tech Spec
| Input |
| Number of Channels |
Eight |
| Input Impedance, XLR Input |
1.3K Ohms |
| Input Impedance, Line Level Input |
10k Ohms |
| Connectors |
Neutrik™ Combo |
| |
| Output |
| ADAT™ LightPipe Digital Optical |
24-bit |
| Insert (TRS) |
|
| Send (Unbalanced) |
51 Ohms |
| Return (Unbalanced) |
10k Ohms |
| |
| Panel Controls |
| Potentiometer Gain Range (10dB gain at lowest setting) |
0dB to +45dB |
| Pad |
-20 dB |
| Phantom Power |
+48 V |
| |
| Meters |
| Signal Present LED |
-20dBu |
| Clip LED |
+22dBu |
| |
| Digital |
| Sampling Rates |
32kHz, 44.1kHz, 48kHz |
| |
| Performance |
| Maximum Preamplifier Gain |
+55dB |
| Headroom |
+22dB |
| Frequency Response |
20Hz-50kHz |
| THD + Noise (Unweighted) |
<0.009% |
| Noise Floor |
-94dBu |
| Signal to Noise |
>98dB |
| Analog Dynamic Range |
>120dB |
| Power Supply Rejection |
>98dB |
| Amplifier Type |
Dual Servo |
| |
| Physical |
| Size |
1U Rack |
| Dimensions |
19" W x 1.75" H x 9" D |
| Weight |
10 lbs. |
| Chassis |
Steel |
| Panel |
Aluminum |
| |
| Power Supply |
| Type |
Linear, Internal Input: 100/120/220/240V AC (Factory Configured) |
| Power |
80 Watts |
|

|
Eureka
- Class A High Headroom Transformer Coupled Microphone Preamplifier
- Variable Microphone Input Impedance
- Variable SATURATE control (simulates tape saturation and tube warmth)
- Fully Variable Compressor with Hi-pass Side Chain
- Three Band Fully Parametric Equalizer
- EQ Pre or Post Compressor
- High Headroom Output Section
- Very Low Noise Design
- Internal Power Supply
- Transparent, wide range performance
- Optional 24-Bit/192k Digital Output Card (AD192)
|

|
Tech Spec
Tech Spec
| Channels |
One |
| Dynamic Range |
>115dB |
| Headroom |
+22dB |
| Frequency Response |
10Hz to 50kHz |
| Internal Operating Level |
0dBu = 0B |
| |
| Microphone Preamp |
| Input Impedance, XLR Input |
1.3k Ohms |
| Input Impedance, Line Level Input |
10k Ohms |
| Connectors |
Neutrik™ Combo |
| |
| Microphone Preamp |
| Gain |
+12dB to +52dB |
| Noise Floor |
-112dBu (+12dB gain) |
| EIN |
-127dB |
| THD + Noise (0% saturation) |
<0.005% |
| THD + Noise (full saturation) |
<0.5% |
| Microphone Input Connector |
XLR |
| Microphone Input Impedance (selectable) |
2.5k, 1.5k, 600, 150, 50 Ohms |
| Instrument Input Connector |
1/4" TS |
| Instrument Input Impedance |
1 Meg Ohm |
| Send Connector |
1/4" TRS balanced/unbalanced |
| Send Output Impedance |
51 Ohms |
| Return Connector |
1/4" TRS balanced/unbalanced |
| Return Input Impedance |
10k Ohms |
| Metering (3-LED) |
-20dBu, 0dBu, Clip |
| Line Input (switchable) |
1/4" TRS, 10k Ohm Input Impedance |
| Phantom Power (switchable) |
+48V (pin 1, pin 2 XLR) |
| Pad (switchable) |
0dB/-20dB |
| Phase (switchable) |
0, 180 degrees |
| Hi-pass filter (switchable) |
-3dB shelf at 80Hz |
| |
| Compressor |
| Threshold (variable) |
-40dBu to +20dBu |
| Ratio (variable) |
1-10 (1:1 to 2:1) |
| Attack (variable) |
0.1 to 200 ms |
| Release (variable) |
0.05 ms to 3 S |
| Gain Make-up |
-20dB to +20 dB |
| Hi-pass Side Chain Filter (variable) |
10Hz to 10kHz |
| Metering |
Analog VU (gain reduction / Output Level) |
| |
| Equalizer |
| Low Band (+/-13dB) |
20Hz to 300Hz |
| Mid Band (+/-13dB) |
200Hz to 3kHz |
| High Band (+/-13dB) |
2kHz to 20kHz |
| Q (variable all bands) |
Q=0.4 to 2 (3 octave to 2/3 octave) |
| |
| Master |
| Output Fader |
-70dB to +10dB |
| Output Connectors |
XLR balanced and 1/4" TRS balanced/unbalanced |
| Output Impedance |
51 Oms |
| Metering (output level) |
Analog VU (-20dBu to +6dBu) |
| Meter (gain reduction) |
Analog VU (-20dB to 0dB) |
| Output Headroom |
+22dBu |
| |
| Physical |
| Power Supply |
Internally Regulated Linear Type |
| Power Requirements (factory configured) |
100VAC to 120VAC, 200VAC to 240VAC |
| Size |
1U Rack |
| Dimensions |
19" x 1.75" x 7" |
| Weight |
8lbs. |
| |
| AD192 - Optional Digital Output Card |
| Bit Resolution |
up to 24-Bit |
| Sample Rates Supported |
44.1, 48, 88.2, 96, 176.4, 192 |
| Word Clock |
In / Out via BNC Connector |
| Supported Digital Formats |
Professional, Consumer |
| Simultaneous Digital Ouputs |
AES/EBU and SPDIF |
| Analog Line Input (one AD192 card supports two Eureka's) |
1/4" Balanced TRS |
| THD + N |
0.002 % |
| Signal to Noise Ratio |
114 dB |
| Dynamic Range |
114 dB |
|

|
Studio Channel
- Class A vacuum tube microphone / instrument preamplifier
- Tube gain and tube drive
- Variable VCA compressor (threshold, ratio, attack, release, make up gain, auto, soft)
- Three-band parametric EQ
- Precision analog VU meter for gain reduction and output
- EQ Pre/Post compressor switch
- 80Hz high pass filter
- 20dB pad
- Phase invert
- Rugged metal chassis
- High headroom
- Ultra low noise design
|

|
Tech Spec
| Channels |
One |
| Dynamic Range |
>115 dB |
| Frequency Response |
10 Hz to 50 kHz |
| Internal Operating Level |
0 dBu = 0 dB |
| |
| Microphone Preamp |
| Gain |
-6 dB to +66 dB (+/- 10dB trim on line input) |
| Noise Floor |
-96 dBu |
| EIN |
-126 dB |
| THD + Noise (0% Tube Drive) |
< 0.050% |
| THD + Noise (100% Tube Drive) |
< 0.10% |
| Microphone Input Connector |
XLR |
| Microphone Input Impedance |
1.3 kΩ |
| Instrument Input Connector |
¼” TS |
| Instrument Input Impedance |
1 MΩ |
| Line Input Connector |
¼” TRS |
| Line Input Impedance |
10 kΩ |
| Phantom Power (switchable) |
+48V |
| Pad (switchable) |
0 dB / -20dB |
| Phase (switchable) |
0°, 180° |
| Hi-pass filter (switchable) |
-3 dB at 80 Hz |
| |
| Compressor |
| Threshold (variable) |
-40 dBu to +2- dBu |
| Ratio (variable) |
1-10 (1:1 to 10:1) |
| Attack (variable) |
0.1 to 200 ms |
| Release (variable) |
0.05 ms to 3 S |
| Gain Make Up |
-10 dB to +10 dB |
| Metering |
Analog VU (Gain Reduction / Output) |
| |
| Equalizer |
| LF Band Controls: |
| Frequency |
Variable from 40 Hz to 500 kHz |
| Gain |
Variable between ±10 dB |
| Q |
0.7 (on ‘peak’ setting) |
| MF Band Controls: |
| Frequency |
Variable from 200 Hz to 3 kHz |
| Gain |
Variable from -10 dB to +10 dB |
| Q |
Variable from 0.7 to 2.5 |
| HF Band Controls: |
| Frequency |
Variable from 2 kHz to 20 kHz |
| Gain |
Variable between ±10 dB |
| Q |
0.7 (on ‘peak’ setting) |
| |
| Master |
| Output Fader |
-80 dB to +10 dB |
| Output Connectors |
XLR Balanced and ¼” TRS Balanced/Unbalanced |
| Output Impedance |
51 Ω |
| Metering (Output level) |
Analog VU (-20 dBu to +6 dBu) |
| Metering (Gain Reduction) |
Analog VU -20 dB to 0 dB |
| Output Headroom |
+22 dBu |
| |
| Power Supply |
| Type |
Linear |
| Input |
16 VAC / 1000mA |
| Power Requirements (Continuous) |
16W |
| Transformer |
External (country specific) |
| |
| Physical |
| Size |
1U Rack |
| Dimensions |
19” x 1.75” x 5.5” |
| Weight |
5 lbs |
|

|
TubePRE
- Award-Winning Dual Servo Tube-Preamp
- Low Price High Performance
- Tube Drive and Gain Control
- -20 dB Pad and Phase Reversal
- +48V Phantom Power
- 80Hz Rumble Filter
- Back-Lit VU Meter
- XLR and ¼” Output
- Great as a Direct Box
|

|
Tech Spec
| Input |
| XLR Impedance |
1.3k Ohms |
| High Z Impedance |
1 Meg Ohm |
| |
| Panel Controls |
| Tube Drive |
0dB to +20dB |
| Gain |
3dB to +48dB |
| Phase Reversal |
|
| -20 dB Pad |
|
| +48V Phantom Power |
|
| 80Hz Rumble Filter |
|
| |
| Meters |
| Blue Backlit VU |
|
|
| Output |
| XLR Balanced |
51 Ohms Impedance |
| 1/4" TRS Unbalanced |
51 Ohms Impedance |
| |
| Performance |
| THD+Noise (Unweighted) |
0.05% at 0dB Tube Drive |
| |
10% at 30dB Tube Drive |
| Noise Floor |
-98dB |
| Signal To Noise |
>95dB |
| Power Supply Rejection |
>98dB |
| Amplifier Type |
Dual-Servo |
| |
| Power Supply |
| Type |
Linear |
| Input |
16VAC/1000mA (factory configured) |
| Power |
16 Watts |
| |
| Physical |
| Weight |
5lbs. |
| Dimensions |
5.5 x 5.5 x 1.75 |
| Mounting |
Universal Rack Tray Insert |
| Chassis |
Steel |
| Panel |
Brushed Aluminum |
| Sides |
Cast Aluminum |
|
 |
 |
Sorenson
Squeeze 5 Pro is the industry-leading video encoding tool, enabling
users to efficiently re-purpose video content for web, CD, DVD or
applications. Squeeze allows users to output content in all
popular formats including: Flash, QuickTime, Windows Media, MPEG-1,
MPEG-2 and MPEG-4.
Sorenson Squeeze 5 Pro
includes Sorenson Video 3 Pro, Sorenson Spark Pro, Sorenson MPEG-4 Pro
and Sorenson H.264 Pro video codecs.
Includes the On2 VP6 Pro Encoder and BIAS Soundsoap plug-ins. Also includes the Complete Squeeze 5 Training DVD.
Sorenson Squeeze is a single user license. For multiple-seat enterprise licenses, see Sorenson Squeeze 5 Pro Multi-User. |
|
 |
 |
Sorenson
Squeeze 5 Pro is the industry-leading video encoding tool, enabling
users to efficiently re-purpose video content for web, CD, DVD or
applications. Squeeze allows users to output content in all
popular formats including: Flash, QuickTime, Windows Media, MPEG-1,
MPEG-2 and MPEG-4.
Sorenson Squeeze 5 Pro
includes Sorenson Video 3 Pro, Sorenson Spark Pro, Sorenson MPEG-4 Pro
and Sorenson H.264 Pro video codecs.
Includes the On2 VP6 Pro Encoder and BIAS Soundsoap plug-ins. Also includes the Complete Squeeze 5 Training DVD.
Sorenson Squeeze is a single user license. For multiple-seat enterprise licenses, see Sorenson Squeeze 5 Pro Multi-User. |
|
 |
 |
Sorenson
Squeeze 5 Pro is the industry-leading video encoding tool, enabling
users to efficiently re-purpose video content for web, CD, DVD or
applications. Squeeze allows users to output content in all
popular formats including: Flash, QuickTime, Windows Media, MPEG-1,
MPEG-2 and MPEG-4.
Sorenson Squeeze 5 Pro
includes Sorenson Video 3 Pro, Sorenson Spark Pro, Sorenson MPEG-4 Pro
and Sorenson H.264 Pro video codecs.
Includes the On2 VP6 Pro Encoder and BIAS Soundsoap plug-ins. Also includes the Complete Squeeze 5 Training DVD.
Sorenson Squeeze is a single user license. For multiple-seat enterprise licenses, see Sorenson Squeeze 5 Pro Multi-User. |
|
|
|
|