ADL 600

• High-Voltage Class A Dual Transformer Design
  
• >73dB Gain
  
• Selectable Microphone Input Impedance
  
• Switched Gain and Variable Fine Trim Controls
  
• Microphone, Instrument and Line Inputs
  
• Ultra Low Noise (-100dB S/N ratio)
  
• Variable High Pass Filter, 48V, -20dB Pad, Polarity Invert
  
• Analog VU and Fast-Acting LED Metering

BlueTube DP

• Stereo Dual Path Mic/Instrument Preamp Using 12AX7 Tube
  
• High Headroom, Class A Gain Stage
  
• XLR and ¼” High-Z Neutrik® Input Combo Connectors
  
• Balanced XLR and ¼” TS Neutrik® Output Connectors
  
• 20dB Pad/ Polarity Reversal/ 80Hz Filter on Each Channel
  
• Two Illuminated Analog VU Meters
  
• Great as a DI for Bass and Guitar

DigiMax 96k

• 44.1, 48, 88.2 and 96kHz Sample Rates
  
• Ultra-Wide Dynamic Range
  
• Low-Noise Operating Levels
  
• Dual-Domain Limiter on Every Channel
  
• EQ Enhance on Every Channel
  
• -20dB Pad on Every Channel
  
• 48V Phantom Power on Every Channel
  
• Instrument Input on Channels One and Two
  
• Phase Reverse on Channels One and Two
  
• Eight 24-bit ADC Converters
  
• ADAT™ Lightpipe Output
  
• S/PDIF Outputs
  
• AES/EBU Outputs
  
• 1/4” TRS Balanced Analog Outputs
  
• BNC Word Clock I/O for Sync

DigiMax D8

• 8 XMAX class A microphone preamps w/ trim control
• 24-bit resolution ADAT digital output
  
• 44.1 and 48K sampling rates
  
• External sync via BNC word clock input
  
• Direct outputs on every channel
  
• LED input metering
  
• -20dB Pad on every channel

DigiMax FS

• 8 XMAX Class A microphone preamps w/ trim control
• 24-bit resolution, 44.1, 48, 88.2 and 96K sampling rate
  
• 96k ADAT input and output (dual SMUX)
  
• JetPLL jitter reduction technology for ultra tight synchronization
  
• Direct outputs and inserts on every channel
  
• Word clock input and output
  
• Hybrid design incorporates noise shaping to virtually remove audio band jitter.
  
• Ensures highest converter performance possible, resulting in better separation.
  
• Fast locking to any digital format, through a wide range of frequencies.
  
• Extremely robust, and tolerant of wide variations in clock frequencies.
  
• Ensures near perfect clock performance when networking audio devices.
  
• Dual VCXO loop performance and quality.

DigiMax LT

• ADAT™ LightPipe Output
  
• Eight Dual Servo Mic Preamps and Line Inputs
  
• Eight TRS Insert Points
  
• Linear Internal Power Supply
• 48V Phantom Power on Each Channel
  
• -20dB Pad on Each Channel
  
• Adjustable Sample Rates
  
• BNC I/O for Sync

Eureka

• Class A High Headroom Transformer Coupled Microphone Preamplifier
  
• Variable Microphone Input Impedance
  
• Variable SATURATE control (simulates tape saturation and tube warmth)
  
• Fully Variable Compressor with Hi-pass Side Chain
  
• Three Band Fully Parametric Equalizer
  
• EQ Pre or Post Compressor
  
• High Headroom Output Section
  
• Very Low Noise Design
  
• Internal Power Supply
  
• Transparent, wide range performance
  
• Optional 24-Bit/192k Digital Output Card (AD192)

Studio Channel

• Class A vacuum tube microphone / instrument preamplifier
• Tube gain and tube drive
• Variable VCA compressor (threshold, ratio, attack, release, make up gain, auto, soft)
  
• Three-band parametric EQ
  
• Precision analog VU meter for gain reduction and output
  
• EQ Pre/Post compressor switch
  
• 80Hz high pass filter
  
• 20dB pad
  
• Phase invert
  
• Rugged metal chassis
  
• High headroom
  
• Ultra low noise design

TubePRE

• Award-Winning Dual Servo Tube-Preamp
  
• Low Price High Performance
  
• Tube Drive and Gain Control
  
• -20 dB Pad and Phase Reversal
  
• +48V Phantom Power
  
• 80Hz Rumble Filter
  
• Back-Lit VU Meter
  
• XLR and ¼” Output
  
• Great as a Direct Box