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StudioLive 16.4.2
Features
- 16 inputs, 6 auxiliary mixes, 4 subgroups
- 16 class A XMAX microphone preamplifiers
- Hi-Definition analog to digital converters (118dB dynamic range)
- Unlimited headroom 32-bit floating point digital mixing and effects processing
- Internal sample frequency 44.1kHz and 48kHz
- 22x18 FireWire digital recording interface (24-bit / 44.1kHz and 48kHz)
- Compact 19” rack-mountable rugged steel chassis
- Fat Channel Select
- High Pass Filter
- Compressor
- Limiter
- Gate
- 4-band semi parametric EQ
- Pan
- Load/Save/Copy/Paste
- 2 Master DSP Effects (reverbs, delays, time-based effect, with load/save)
- Load/Save Mixer “Scenes” – all settings including fader levels with LED position matching
- 100mm long throw faders
- Military grade quick touch push buttons
- Fast-acting LED meters
- Talkback communication system
- CAPTURE integrated live recording software included
- Mac and Windows compatible
- Direct recording interface compatible with Logic, Nuendo, Cubase, Sonar, Digital Performer and more
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Tech Spec
| Back to top |
| Microphone Preamp 1-16 (XLR Balanced) |
| Type |
XLR Female, Balanced |
| Frequency Response to Direct Output |
20 Hz to 40 kHz ±0.5dBu |
| Frequency Response to Main Output |
20 Hz to 20 kHz ±0.5dBu |
| Input Impedance (Balanced) |
1 Ohm |
| THD to Direct Output |
< 0.005%, +4dBu, 20-20kHz, unity gain, unwtd |
| THD to Main Output) |
<0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd |
| EIN to Direct Output |
+125 dB unwtd,, +130 dB A-wtd |
| S/N Ratio to Direct Output |
-97 dB |
| S/N Ratio to Main Output |
-94 dB |
| Common Mode Rejection Ratio |
+65 dB |
| Gain Control Range |
-16 dB to +67 dB (+/- 1 dB) |
| Maximum Input Level (unity gain) |
+16 dBu |
| Phantom Power |
+48 VDC |
| |
| Line Inputs |
| Type |
1/4" TRS Female, balanced mono |
| Frequency Response to Direct Outputs |
10-40 kHz, 0 / -0.5 dBu |
| Frequency Response to Main Outputs |
20-20 kHz, +/- 0.5 dBu |
| Input Impedance |
10 kΩ |
| THD to Direct Output |
<0.0007%, +4 dBu, 20-20 kHz, unity gain, unwtd |
| THD to Main Output |
<0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd |
| S/N Ratio to Direct Output |
-105 dB |
| S/N Ratio to Main Output |
-94 dB |
| Gain Control Range |
-20 dB to +20 dB (+/- 1 dB) |
| Maximum Input level (unity gain) |
+22 dBu |
| |
| Tape Inputs |
| Type |
1/4” TRS Female, balanced mono |
| Maximum Input Level |
+22 dBu |
Auxiliary Inputs |
| Type |
1/4” TRS Female, balanced (2 stereo pairs) |
| Maximum Input Level |
+22 dBu |
| |
| Main Outputs |
| Type |
Male, balanced (stereo pair); 1/4” TRS Female, balanced (stereo pair); XLR Male, balanced (mono) |
| Rated Output Level |
+24 dBu |
| Output Impedance |
10 kΩ |
| |
| Aux Outputs |
| Type |
1/4” TRS Female, balanced (mono) |
| Rated Output Level |
+18 dBu |
| Output Impedance |
51 Ω |
| |
Subgroup Outputs |
| Type |
1/4” TRS Female, balanced (mono) |
| Rated Output Level |
+18 dBu |
| Output Impedance |
51 Ω |
| |
| Tape Outputs |
| Type |
RCA Female, unbalanced (stereo pair) |
| Rated Output Level |
+18 dBu |
| Output Impedance |
100 Ω |
| |
| Control Room Outputs |
| Type |
1/4” TRS Female, balanced (stereo pair) |
| Rated Output Level |
+18 dBu |
| Output Impedance |
51 Ω |
| |
System Cross Talk |
| Input to Output |
-90 dBu |
| Adjacent Channels |
-87 dBu |
| |
| Noise Gate / Expander |
| Threshold Range |
-84 dB to 0 dB |
| Attack Time |
0.5 ms |
| Release Time |
0.05s to 2s |
| Expander Attenuation Range |
2:1 |
| Noise Gate Attenuation Range |
∞ |
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| Compressor |
| Threshold Range |
-56 dB to 0 dB |
| Ratio |
1:1 to 14:1 |
| Attack Time |
0.2 ms to 150 ms |
| Release Time |
40 ms to 1000 ms |
| Auto Attack and Release |
Attack = 10 ms, Release = 150 ms |
| Curve Types |
hard and soft knee |
| |
| EQ |
| Type |
2nd order shelving filter (Q = 0.55) |
| Low (Lowpass or Bandpass) |
36 to 465 Hz, ± 15 dB |
| Low Mid |
90 Hz to 1.2 kHz, ±15 dB |
| High Mid |
380 Hz to 5 kHz, ±15 dB |
| High (Highpass or Bandpass) |
1.4 kHz to 18 kHz, ±15 dB |
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| Digital Audio |
| ADC Dynamic Range (A-wtd, 48 kHz) |
118 dB |
| DAC Dynamic Range (A-wtd, 48 kHz) |
118 dB |
| FireWire |
S400, 400Mb/s |
| Internal Processing |
32-bit, floating point |
| Sampling Rate |
44.1, 48 kHz |
| A/D/A Bit Depth |
24 |
| Reference Level for 0 dBFS |
-18 dBu |
| |
| Clock |
| Jitter |
<20 ps RMS (20 Hz - 20 kHz) |
| Jitter Attenuation |
>60 dB (1 ns in ≈ 1 ps out) |
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| Power |
| Connector |
IEC |
| Input-Voltage Range |
90 to 240 VAC (factory-configured for country of destination) |
| Power Requirements (continuous) |
100 W |
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| Physical |
| Length |
22.35 inches (568.06 mm) |
| Width (chassis only) |
17.22 inches (437.40 mm) |
| Width (with rack ears) |
19 inches (482.60 mm) |
| Maximum Height |
6.90 inches (175.26 mm) |
| Weight |
23 lbs. |
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FireBox
- High-Speed FireWire Network Audio Interface
- Plug and play FireWire (IEEE 1394) audio interface
- 24-Bit / 44.1, 48, 88.2, 96K sample rate
- Record/playback 6 inputs/10 outputs at 24-bit/96K
- 2 PreSonus microphone/instrument preamplifiers
- 2 analog line inputs, 6 analog line outputs
- S/PDIF input/output
- MIDI input/output
- Low latency monitoring
- Headphone output
- Powered via FireWire bus or externally
- Software router/mixer
- Windows and Macintosh compatible
- Fits MAXRACK rack mounting system
- FREE ProPak Software Suite including Cubase LE audio production software
- Compare PreSonus Interfaces (INSPIRE 1394, FIREBOX and FIREPOD)
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Computer System Requirements
Windows - OS: Microsoft Windows XP (32-bit & 64-bit) and Windows Vista (32-bit & 64-bit)
- CPU/Clock: or Athlon 900MHz (1.5 GHz or higher recommended)
- Memory(RAM): 1 GB (more recommended)
Macintosh
- OS: MacOS X 10.4.x or later (10.5 supported with driver update)
- CPU/Clock: PowerPC G4/Dual 1 GHZ or faster, all Intel-based Mac models.
- Memory(RAM): 1 GB (more recommended)
Windows and Macintosh Systems
- IEEE 1394 FireWire 400 Port
- Internet connection
- DVD-ROM drive
- Internal or external 7200RPM storage drive is highly recommended
Note that the speed of your processor, amount of RAM and size and speed of your hard drive will greatly affect the overall performance of your recording system. Also, a more powerful system (faster processor with more RAM) will allow for lower latency (signal delay) that you might experience while monitoring audio or MIDI signals.
Monitor resolution for both PC and Macintosh should be no lower than 1024x768 pixels.
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| Microphone Preamp 1-2 (XLR Balanced) |
| Type |
Combo XLR Female Balanced / TRS 1/4" |
| Frequency Response (±0.5 dB) |
10 Hz to 50 kHz |
| Input Impedance (Balanced) |
1300 Ohm |
| THD+N (unwtd, 1kHz @ +4 dBu Output, Unity Gain |
< 0.005% |
| EIN (unwtd, 55dB Gain, 150 Ω Input, 20Hz to 22kHz |
-125 dBu |
| S/N Ratio (Unity Gain, unwtd, Ref. = +4 dBu, 20Hz to 22 kHz |
> 101dB |
| Common Mode Rejection Ratio (1 kHz, 55 dB Gain) |
>45dB (+12 dB digital boost switch) |
| Phantom Power (±2 VDC) |
+48 VDC |
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| Instrument Input |
| Type |
1/4" TS |
| Input Impedance |
1 Mega Ohm |
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| Line Inputs 3-4 (1/4” TRS) |
| Frequency Response (+0,- 0.5dB) |
20Hz to 50kHz |
| Frequency Response (+0/-3.0 dB) |
20Hz to 150kHz |
| Input Impedance (Balanced) |
10 KOhm |
| THD+N (unwtd, 1KHz @ +4dBu Output, Unity Gain) |
< 0.003% |
| S/N Ratio (Unity Gain, unwtd, Ref. = +4dBu, 20Hz to 22KHz) |
>101dB |
| Maximum Input Level (Unity Gain, 1KHz @ 0.5% THD+N) |
+20dBu |
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| Headphone Output |
| Type |
TRS Active Stereo |
| Maximum Output |
150 mW/CH @ 60 Ohm Load |
| Frequency Response (±1.0 dB) |
20 Hz - 20kHz |
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| Digital Audio |
| FireWire (IEEE 1394) Speed |
400mbps |
| ADC Dynamic Range (Awtd, 48 kHz Sample Rate) |
107 dB |
| DAC Dynamic Range (Awtd, 48 kHz Sample Rate) |
110 dB |
| Bit Depth |
24 |
| Reference Level for 0dBFS |
+10 dBu |
| Internal Sample Frequency Selections (kHz) |
44.1, 48, 88.2, 96 |
| SPDIF 2 channels input/output |
via RCA connector |
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| Power |
| Bus Power |
Six-pin FireWire port |
| Power Supply |
Ext. line Transformer, Intneral switching |
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| Physical |
| Main Chassis |
| Package Type |
1/3U - steel chassis |
| Dimensions |
5.5(W) X 1.75(H) X 5.5(D) inches |
| Weight |
5.0 lbs |
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FireStudio
- High-speed FireWire (IEEE 1394) audio interface
- 24-bit resolution, up to 96K sampling rate
- 26 simultaneous inputs and outputs
- 8 Class A microphone preamps w/ trim control
- 8 analog line Inputs, 2 Instrument Inputs
- 16 channels of optical ADAT I/O (8 ch. via 96k dual SMUX)
- S/PDIF I/O, MIDI I/O
- DICE II Chipset - ultra efficient data transfer
- JetPLL™ – jitter elimination technology
- Zero latency DSP full-matrix mixer/router
- PreSonus ProPak Complete Audio Software Suite with Cubase LE, Reason Adapted, Amplitube LE, BFD Lite,
- Drumagog LE and more
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Computer System Requirements
Below are the minimum computer system requirements for your FireStudio. Windows
- OS: Microsoft Windows XP SP1
- Computer: Windows compatible computer with FireWire port.
- CPU/Clock: Pentium, Celeron with 1.6Ghz or higher
- Memory(RAM): 512 MB (1 GB recommended)
- Macintosh
- OS: MacOS X 10.4.x or later
- Computer: Apple Macintosh series with on-board FireWire port.
- CPU/Clock: PowerPC G4/Dual 1 GHZ or faster, all Intel-based Mac models.
- Memory(RAM): 512 MB (1 GB recommended)
Note that the speed of your processor, amount of RAM and size and speed of your hard drive will greatly affect the overall performance of your recording system. Also, a more powerful system (faster processor with more RAM) will allow for lower latency (signal delay) that you might experience while monitoring audio or MIDI signals.
Monitor resolution for both PC and Macintosh should be no lower than 1024x768 pixels.
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Microphone Preamp (XLR Balanced)
All measurements Microphone Input to Direct Output |
| Frequency Response (+0,- 0.5dB) |
20Hz to 50KHz |
| Frequency Response (+0/-3.0 dB) |
20Hz to 150KHz |
| Input Impedance |
1600 Ohm |
| THD+N (unwtd, 1KHz @ +4dBu Output, Unity Gain) |
<0.003% |
| EIN (unwtd, 55dB Gain, 150 Ohm Input, 20Hz to 22KHz) |
-126dBu |
| S/N Ratio (Unity Gain, unwtd, Ref. = +4dBu, 20Hz to 22KHz) |
>101dB |
| Common Mode Rejection Ratio (1KHz, 55dB Gain) |
>55dB |
| Gain Control Range (+/-1dB) |
-6dB to 55dB |
| Maximum Input Level (Unity Gain, 1KHz @ 0.5% THD+N) |
+17dBu |
| Phantom Power (+/- 2VDC) |
+48VDC |
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| Instrument Input (1/4” TRS, Preamps 1 & 2) |
| Input Impedance |
1 Mega Ohm |
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Line Inputs (1/4” TRS, Preamps 3 to 8)
All measurements Line Input to Direct Output |
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Frequency Response (+0,- 0.5dB) |
20Hz to 50KHz |
| Frequency Response (+0/-3.0 dB) |
20Hz to 150KHz |
| Input Impedance (Balanced) |
10 KOhm |
| THD+N (unwtd, 1KHz @ +4dBu Output, Unity Gain) |
< 0.003% |
| S/N Ratio (Unity Gain, unwtd, Ref. = +4dBu, 20Hz to 22KHz) |
>101dB |
| Gain Control Range (+/-1dB) |
-9dB to +12dB |
| Maximum Input Level (Unity Gain, 1KHz @ 0.5% THD+N) |
+23dBu |
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| Insert Jacks (1/4” TRS) |
| Send Output Impedance (Unbalanced, Ring) |
51 Ohm |
| Return Input Impedance
(Unbalanced, Tip) |
10KOhm |
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| Direct Outputs/DAC Outputs (1/4” TRS) |
| Output Impedance (Impedance Balanced) |
51Ohm |
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| Signal Level LEDs |
| Clip (+/- 0.5dBu) |
+18dBu |
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| Digital Audio |
| ADC Dynamic Range (Awtd, 48KHz Sample Rate) |
107dB |
| DAC Dynamic Range (Awtd, 48KHz Sample Rate) |
110dB |
| Bit Depth |
24 |
| Reference Level for 0dBFS |
+18dBu |
| Digital Audio Output (2-Toslink™ Connectors, 8 channels) |
ADAT/SMUX |
| Digital Audio Input (2-Toslink™ Connectors, 8 channels) |
ADAT/SMUX |
| Internal Sample Frequency Selections (KHz) |
44.1, 48, 88.2, 96 |
| External Sample Frequency Inputs |
BNC, ADAT (SMUX),SPDIF |
| BNC Word Clock Output Level (75 Ohm load) |
4.5V |
| BNC Word Clock Input Level Range |
3.0 to 5.5V |
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| Power |
| Input Voltage Range |
18 to 30VDC |
| Power Requirements (Continuous) |
24W |
| DC Input Connector Type |
5.5mm OD/2.1mm ID Barrel, Center Positive |
| External Switching Power Supply |
90-230VAC/35W |
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| Digital |
| Jitter |
<20ps RMS, 20Hz-20kHz |
| Jitter Attenuation |
>60dB, 1ns in=>1ps out |
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FireStudio Lightpipe
The PreSonus FireStudio Lightpipe is a 32 input, 32 output, 24-bit/96k lightpipe to FireWire computer recording system for professional-quality digital audio recording. Compatible with both Windows and Macintosh computer systems, the FireStudio Lightpipe allows you to convert up to 32 channels of ADAT or SMUX optical lightpipe input/output via FireWire providing a multi-channel computer interface for digital mixers, AD/DA converters or ADAT recorders. FireStudio Lightpipe features JetPLL™ jitter elimination technology for ultra tight synchronization and improved imaging and clarity along with a 34x4 DSP matrix mixer allowing you to create dual zero-latency stereo monitor mixes. Fast-acting input LED meters are located on the front panel for quick and easy visual monitoring of all signals. The FireStudio Lightpipe is the perfect interface for expanding and enhancing your music production! |
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Computer System Requirements
Windows
- OS: Microsoft Windows XP and Windows Vista (32-bit)
- CPU/Clock: or Athlon 900MHz (1.5 GHz or higher recommended)
- Memory(RAM): 1 GB (more recommended
Macintosh
- OS: MacOS X 10.4.x or later (10.5 supported with driver update)
- CPU/Clock: PowerPC G4/Dual 1 GHZ or faster, all Intel-based Mac models.
- Memory(RAM): 1 GB (more recommended)
Windows and Macintosh Systems
- IEEE 1394 FireWire 400 Port
- Internet connection
- CD-ROM drive
- Internal or external 7200RPM storage drive is highly recommended
Note that the speed of your processor, amount of RAM and size and speed of your hard drive will greatly affect the overall performance of your recording system. Also, a more powerful system (faster processor with more RAM) will allow for lower latency (signal delay) that you might experience while monitoring audio or MIDI signals.
Monitor resolution for both PC and Macintosh should be no lower than 1024x768 pixels.
| Digital Audio Transfer |
optical ADAT to FireWire (IEEE 1394) |
| FireWire IEEE 1394 Speed |
400mbps |
| Maximum Inputs/Outputs |
32 inputs/ 32 outputs |
| Supported Sample Rates |
44.1, 48, 88.2, 96kHz |
| Control Panel Parameters |
Sample Rate, Latency (PC only), Clock Source |
| Optical 1 I/O |
Ch. 1-8 (44.1, 48k); Ch. 1-4 (88.2, 96k) |
| Optical 2 I/O |
Ch. 9-16 (44.1, 48k); Ch. 5-8 (88.2, 96k) |
| Optical 3 I/O |
Ch. 17-24 (44.1, 48k); Ch. 9-12 (88.2, 96k) |
| Optical 4 I/O |
Ch. 25-32 (44.1, 48k); Ch. 13-16 (88.2, 96k) |
| MIDI I/O |
Standard 5-Pin DIN |
| Main analog outputs |
Impedance Balanced TRS |
| Headphone amplifier |
150 mW |
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| Jitter Specification |
<20ps RMS, 20Hz-20kHz |
| Jitter Attenuation |
>60dB; 1ns in approx.1ps out |
| Power Supply |
IEC Internal switching 100V-240V |
| Word Clock |
BNC Input and Output, 75 0hm |
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| Power |
| Input Connector Type |
IEC |
| Input Voltage (factory configured) |
90 to 240 VAC |
| Power Requirements (Continuous) |
20W |
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| Physical |
| Main Chassis |
| Package Type |
1U - steel chassis |
| Dimensions |
19(W) X 1.75(H) X 7(D) inches |
| Weight |
7.0 lbs |
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FireStudio Project
- High-Speed FireWire (IEEE 1394) Audio Interface
- Up to 96K Sampling Rate
- 8 XMAX Class A Microphone Preamplifiers (+60dB gain) w/ Trim Control
- 8 Analog Mic/Line Inputs, 2 Instrument Inputs
- 8 Analog Line Outputs
- S/PDIF Digital Input and Output, MIDI Input and Output
- Balanced Send / Return for Channels 1 and 2
- Zero Latency Monitoring with FireControl Mixer/Router
- Separate Balanced Main Outputs and 8 Balanced Analog Outputs
- Daisy-chain multiple FireStudio Project’s and FireStudio Tube’s (see instructions)
- FREE ProPak Software Suite including Cubase LE 4 Audio Production Software
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Computer System Requirements
Below are the minimum computer system requirements for your FireStudio Project.
Windows
- OS: Microsoft Windows XP SP2 and Vista 32
- Computer: Windows compatible computer with FireWire port.
- CPU/Clock: Pentium, Celeron with 1.6Ghz or higher
- Memory(RAM): 512 MB (1 GB recommended)
Macintosh
- OS: MacOS X 10.4.x or later (10.5 supported with driver update)
- Computer: Apple Macintosh series with on-board FireWire port.
- CPU/Clock: PowerPC G4/Dual 1 GHZ or faster, all Intel-based Mac models.
- Memory(RAM): 512 MB (1 GB recommended)
Note that the speed of your processor, amount of RAM and size and speed of your hard drive will greatly affect the overall performance of your recording system. Also, a more powerful system (faster processor with more RAM) will allow for lower latency (signal delay) that you might experience while monitoring audio or MIDI signals.
Monitor resolution for both PC and Macintosh should be no lower than 1024x768 pixels.
| Microphone Preamp |
| Type |
XLR Female Balanced |
| Frequency Response (±0.5 dB) |
20 Hz to 50 kHz |
| Frequency Response (±3.0 dB) |
20 Hz to 150 kHz |
| Input Impedance (Balanced) |
1600 Ω |
| THD+N (unwtd, 1kHz @ +4 dBu Output, Unity Gain |
< 0.0003% |
| EIN (unwtd, 55dB Gain, 150 Ω Input, 20Hz to 22kHz |
-126 dBu |
| S/N Ratio (Unity Gain, unwtd, Ref. = +4 dBu, 20Hz to 22 kHz |
> 101dB |
| Common Mode Rejection Ratio (1 kHz, 55 dB Gain) |
> 55dB |
| Gain Control Range (± 1dB) |
-4 dB to 50dB |
| Maximum Input Level (Unity Gain, 1 kHz @ 0.5% THD+N) |
+14 dBu |
Signal Level LEDS
Red / Clip (±0.5 dB)
Yellow (±0.5 dB)
Green (±0.5 dB) |
+10 dBu (o dBFS)
+4 dBu (-6 dBFS)
-30 dBu (-40 dBFS)
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| Phantom Power (±2 VDC) |
+48 VDC |
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| Instrument Input (channels 1 & 2 only) |
| Type |
XLR Female Balanced |
| Input Impedance |
1 MΩ |
|
| Line Inputs |
| Type |
XLR Female Balanced |
| Frequency Response (±0.5 dB) |
20 Hz to 50 kHz |
| Frequency Response (±3.0 dB) |
20 Hz to 150 kHz |
| Input Impedance (Balanced) |
10 KΩ |
| THD+N (unwtd, 1kHz @ +4 dBu Output, Unity Gain |
< 0.0003% |
| S/N Ratio (Unity Gain, unwtd, Ref. = +4 dBu, 20Hz to 22 kHz |
> 101dB |
| Gain Control Range (±1 dB) |
-16dB to +16dB |
| Maximum Input Level (Unity Gain, 1 kHz @ 0.5% THD+N) |
+10 dBu |
| Maximum Input Level (Minimum Gain, 1 kHz @ 0.5% THD+N) |
+22 dBu |
|
| Line Ouputs (including Preamp Output, General Purpose Outputs and Main Outputs) |
| Type |
¼" TRS Balanced |
| Output Impedance |
51 Ω |
|
| Headphone Output |
| Type |
¼" TRS Active Stereo |
| Maximum Output |
150 mW/CH @ 60 Ω Load |
| Frequency Response (±1.0 dB) |
10 Hz - 70kHz |
|
| Digital Audio |
| FireWire (IEEE 1394) Speed |
400mbps |
| ADC Dynamic Range (Awtd, 48 kHz Sample Rate) |
114 dB |
| DAC Dynamic Range (Awtd, 48 kHz Sample Rate) |
114 dB |
| Bit Depth |
24 |
| Reference Level for 0dBFS |
+10 dBu |
| Internal Sample Frequency Selections (kHz) |
44.1, 48, 88.2, 96 |
| Jitter Specification |
<20ps RMS, 20Hz-20kHz |
| Jitter Attenuation |
>60dB; 1ns in approx.1ps out |
|
| Power |
| Input Connector Type |
IEC |
| Input Voltage (factory configured) |
90 to 230 VAC |
| Power Requirements (Continuous) |
20W |
|
| Physical |
| Main Chassis |
| Package Type |
1U - steel chassis |
| Dimensions |
19(W) X 1.75(H) X 7(D) inches |
| Weight |
7.0lbs |
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FireStudio Tube
- 24-bit/96K firewire (IEEE 1394)
- 16 inputs/6 outputs simultaneous record/playback channels
- 2 SuperChannels (tube microphone/instrument preamplifier with analog limiter)
- 8 XMAX microphone preamplifiers
- 2 PreSonus microphone/instrument preamplifiers
- 6 balanced TRS line outputs
- MIDI Input/Output
- 16x8 FireControl DSP mixer/router
- JetPLL Sync for improved imaging and clarity
- High performance A/D/A converters (114 dynamic range)
- Windows and Macintosh compatible
- Daisy-chain multiple FireStudio Project’s and FireStudio Tube’s (see instructions)
- ProPak Software Suite including Cubase LE 4 audio production software
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Computer System Requirements
Below are the minimum computer system requirements for your FireStudio Tube.
Windows - OS: Microsoft Windows XP and Windows Vista
* CPU/Clock: or Athlon 900MHz (1.5 GHz or higher recommended)
* Memory(RAM): 1 GB (more recommended)
Macintosh
- OS: MacOS X 10.4.x or later (10.5 supported with driver update)
- CPU/Clock: PowerPC G4/Dual 1 GHZ or faster, all Intel-based Mac models.
- Memory(RAM): 1 GB (more recommended)
Windows and Macintosh Systems
- IEEE 1394 FireWire 400 Port
- Internet connection
- DVD-ROM drive
- Internal or external 7200RPM storage drive is highly recommended
Note that the speed of your processor, amount of RAM and size and speed of your hard drive will greatly affect the overall performance of your recording system. Also, a more powerful system (faster processor with more RAM) will allow for lower latency (signal delay) that you might experience while monitoring audio or MIDI signals.
Monitor resolution for both PC and Macintosh should be no lower than 1024x768 pixels.
| Microphone Preamp 1-8 (XLR Balanced) |
| Type |
XLR Female Balanced |
| Frequency Response (±0.5 dB) |
20 Hz to 50 kHz |
| Frequency Response (±3.0 dB) |
20 Hz to 150 kHz |
| Input Impedance (Balanced) |
1600 Ohm |
| THD+N (unwtd, 1kHz @ +4 dBu Output, Unity Gain |
< 0.0003% |
| EIN (unwtd, 55dB Gain, 150 Ω Input, 20Hz to 22kHz |
-126 dBu |
| S/N Ratio (Unity Gain, unwtd, Ref. = +4 dBu, 20Hz to 22 kHz |
> 101dB |
| Common Mode Rejection Ratio (1 kHz, 55 dB Gain) |
> 55dB |
| Gain Control Range (± 1dB) |
-4 dB to 50dB |
| Maximum Input Level (Unity Gain, 1 kHz @ 0.5% THD+N) |
+14 dBu |
| Phantom Power (±2 VDC) |
+48 VDC |
|
| Instrument Input |
| Type |
1/4" TS |
| Input Impedance |
1 Mega Ohm |
|
| Preamps 15 & 16 |
| Gain Reduction |
-16 to +20 dB |
| ThD+N (unwtd, 1KHz @ +4dBu Output, Unity Gain) |
<.2% |
| Limiter |
0 to -18dBu |
| Gain Control (+/-1dB) |
+4dB to +58dB |
| 80 Hz filter |
< 0.0003% |
|
| Line Inputs 9-14 (1/4” TRS) |
| Frequency Response (+0,- 0.5dB) |
20Hz to 50kHz |
| Frequency Response (+0/-3.0 dB) |
20Hz to 150kHz |
| Input Impedance (Balanced) |
10 KOhm |
| THD+N (unwtd, 1KHz @ +4dBu Output, Unity Gain) |
< 0.003% |
| S/N Ratio (Unity Gain, unwtd, Ref. = +4dBu, 20Hz to 22KHz) |
>101dB |
| Maximum Input Level (Unity Gain, 1KHz @ 0.5% THD+N) |
+20dBu |
|
| Headphone Output |
| Type |
TRS Active Stereo |
| Maximum Output |
150 mW/CH @ 60 Ohm Load |
| Frequency Response (±1.0 dB) |
10 Hz - 70kHz |
|
| Digital Audio |
| FireWire (IEEE 1394) Speed |
400mbps |
| ADC Dynamic Range (Awtd, 48 kHz Sample Rate) |
114 dB |
| DAC Dynamic Range (Awtd, 48 kHz Sample Rate) |
114 dB |
| Bit Depth |
24 |
| Reference Level for 0dBFS |
+10 dBu |
| Internal Sample Frequency Selections (kHz) |
44.1, 48, 88.2, 96 |
| Jitter Specification |
<20ps RMS, 20Hz-20kHz |
| Jitter Attenuation |
>60dB; 1ns in approx.1ps out |
|
| Power |
| Input Connector Type |
IEC |
| Input Voltage (factory configured) |
90 to 240 VAC |
| Power Requirements (Continuous) |
20W |
|
| Physical |
| Main Chassis |
| Package Type |
1U - steel chassis |
| Dimensions |
19(W) X 1.75(H) X 9.5(D) inches |
| Weight |
10.0lbs |
|
|
FP10
- High-Speed FireWire (IEEE 1394) Audio Interface
- Up to 96K Sampling Rate
- 8 XMAX Class A Microphone Preamplifiers (+60dB gain) w/ Trim Control
- 8 Analog Mic/Line Inputs, 2 Instrument Inputs
- 8 Analog Line Outputs
- S/PDIF Digital Input and Output, MIDI Input and Output
- Balanced Send / Return for Channels 1 and 2
- Zero Latency Monitoring
- Separate Main and Cue Mix Outputs
- Daisy-chain multiple FP10's for additional inputs/outputs
- FREE ProPak Software Suite including Cubase LE Audio Production Software Included
|
|
Computer System Requirements
Windows
- OS: Microsoft Windows XP (32-bit & 64-bit) and Windows Vista (32-bit & 64-bit)
- CPU/Clock: or Athlon 900MHz (1.5 GHz or higher recommended)
- Memory(RAM): 1 GB (more recommended)
Macintosh
- OS: MacOS X 10.3.5 or later
- CPU/Clock: PowerPC G4/Dual 1 GHZ or faster, all Intel-based Mac models.
- Memory(RAM): 1 GB (more recommended)
Windows and Macintosh Systems
- IEEE 1394 FireWire 400 Port
- Internet connection
- DVD-ROM drive
- Internal or external 7200RPM storage drive is highly recommended
Note that the speed of your processor, amount of RAM and size and speed of your hard drive will greatly affect the overall performance of your recording system. Also, a more powerful system (faster processor with more RAM) will allow for lower latency (signal delay) that you might experience while monitoring audio or MIDI signals.
Monitor resolution for both PC and Macintosh should be no lower than 1024x768 pixels.
| Microphone Preamp 1-8 (XLR Balanced) |
| Type |
XLR Female Balanced |
| Frequency Response (±0.5 dB) |
20 Hz to 50 kHz |
| Frequency Response (±3.0 dB) |
20 Hz to 150 kHz |
| Input Impedance (Balanced) |
1600 Ohm |
| THD+N (unwtd, 1kHz @ +4 dBu Output, Unity Gain |
< 0.005% |
| EIN (unwtd, 55dB Gain, 150 Ω Input, 20Hz to 22kHz |
-125 dBu |
| S/N Ratio (Unity Gain, unwtd, Ref. = +4 dBu, 20Hz to 22 kHz |
> 101dB |
| Common Mode Rejection Ratio (1 kHz, 55 dB Gain) |
> 55dB |
| Gain Control Range (± 1dB) |
-4 dB to 50dB |
| Maximum Input Level (Unity Gain, 1 kHz @ 0.5% THD+N) |
+14 dBu |
| Phantom Power (±2 VDC) |
+48 VDC |
|
| Instrument Input (1/4" TS input channels 1-2) |
| Type |
1/4" TS |
| Input Impedance |
1 Mega Ohm |
| |
|
| Line Inputs (1/4” TRS input channels 3-8) |
| Frequency Response (+0,- 0.5dB) |
20Hz to 50kHz |
| Frequency Response (+0/-3.0 dB) |
20Hz to 150kHz |
| Input Impedance (Balanced) |
10 KOhm |
| THD+N (unwtd, 1KHz @ +4dBu Output, Unity Gain) |
< 0.003% |
| S/N Ratio (Unity Gain, unwtd, Ref. = +4dBu, 20Hz to 22KHz) |
>101dB |
| Maximum Input Level (Unity Gain, 1KHz @ 0.5% THD+N) |
+20dBu |
|
| Line Outputs (1/4" TRS) |
| Output Impedance |
51 Ohms |
| Cue and Main Output Impedance |
51 Ohms |
| Headphone Output |
| Type |
TRS Active Stereo |
| Maximum Output |
150 mW/CH @ 60 Ohm Load |
| Frequency Response (±1.0 dB) |
20 Hz - 20kHz |
|
| Digital Audio |
| FireWire (IEEE 1394) Speed |
400mbps |
| ADC Dynamic Range (Awtd, 48 kHz Sample Rate) |
107 dB |
| DAC Dynamic Range (Awtd, 48 kHz Sample Rate) |
107 dB |
| Bit Depth |
24 |
| Internal Sample Frequency Selections (kHz) |
44.1, 48, 88.2, 96 |
Simultaneous record/playback channels and sample rate |
Single Unit (10 in, 10out @ 24/96K)
Two FP10's (up to 16 in/out @ 24-bit/ 44.1k or 48K)
Three FP10's (up to 24 in/out @ 24-bit/44.1k or 48k)
Note: FP10's and FirePod's can be daisy-chained |
| |
|
|
| Power |
| Input Connector Type |
IEC |
| Input Voltage (factory configured) |
90 to 240 VAC |
| Power Requirements (Continuous) |
20W |
| Internal Sample Frequency Selections (kHz) |
44.1, 48, 88.2, 96 |
|
| Physical |
| Main Chassis |
|
| Package type |
1U - steel chassis |
| Dimensions |
19"x1.75"x7" |
| Weight |
8 lbs |
|
|
Inspire 1394
- 24-bit/96k A/D/A sample rate
- Four simultaneous input channels
- Two microphone/instrument preamplifiers
- Switchable line input or phono input(with RIAA filter)
- Software Control Panel and zero latency mixer
- Window XP and Macintosh OSX compatible
- FireWire bus-powered or powered externally
- ProPak Software Suite
|
|
Computer System Requirements
Windows
- OS: Microsoft Windows XP (32-bit & 64-bit) and Windows Vista (32-bit & 64-bit)
- CPU/Clock: or Athlon 900MHz (1.5 GHz or higher recommended)
- Memory(RAM): 500 MB (more recommended)
Macintosh
- OS: MacOS X 10.4.x or later (10.5 supported with driver update)
- CPU/Clock: PowerPC G4/Dual 1 GHZ or faster, all Intel-based Mac models.
- Memory(RAM): 500 MB (more recommended)
Windows and Macintosh Systems
- IEEE 1394 FireWire 400 Port
- Internet connection
- DVD-ROM drive
- Internal or external 7200RPM storage drive is highly recommended
Note that the speed of your processor, amount of RAM and size and speed of your hard drive will greatly affect the overall performance of your recording system. Also, a more powerful system (faster processor with more RAM) will allow for lower latency (signal delay) that you might experience while monitoring audio or MIDI signals.
Monitor resolution for both PC and Macintosh should be no lower than 1024x768 pixels.
| Microphone Preamps 1-2 |
| Microphone input |
XLR Female |
| Frequency Response (±0.5 dB) |
10 Hz to 50 kHz |
| Instrument Input Impedance (Balanced) |
500k Ohm |
| THD+N (unwtd, 1kHz @ +4 dBu Output, Unity Gain |
< 0.01% |
| Phantom Power (±2 VDC) |
+48 VDC |
| |
| Instrument Input 1-2 |
| Type |
1/4" TS |
| Input Impedance |
1 Mega Ohm |
| |
| Line Inputs 3-4 (RCA) |
| Frequency Response (+0,- 0.5dB) |
10Hz to 50kHz |
| Input Impedance (Balanced) |
47.5 KOhm |
| |
| Headphone Output |
| Type |
Mini TRS Active Stereo |
| Maximum Output |
150 mW/CH @ 60 Ohm Load |
| Frequency Response (±1.0 dB) |
20 Hz - 20kHz |
| |
| Digital Audio |
| FireWire (IEEE 1394) Speed |
400mbps |
| ADC Dynamic Range (Awtd, 48 kHz Sample Rate) |
102 dB |
| DAC Dynamic Range (Awtd, 48 kHz Sample Rate) |
108 dB |
| Bit Depth |
24 |
| Internal Sample Frequency Selections (kHz) |
44.1, 48, 88.2, 96 |
| Daisy-chain multiple Inspire 1394 |
4 units total, maximum of 16 input/output at 96kHz |
| |
| Power |
| Bus Power |
Six-pin FireWire port |
| Power Supply |
Ext. line Transformer, Internal switching (factory configured) |
| |
| Physical |
| Dimensions |
5.5"(W) X 2"(H) X 5.5"(D) inches |
| Weight |
5.0 lbs |
|
 |
 |
Sorenson
Squeeze 5 Pro is the industry-leading video encoding tool, enabling
users to efficiently re-purpose video content for web, CD, DVD or
applications. Squeeze allows users to output content in all
popular formats including: Flash, QuickTime, Windows Media, MPEG-1,
MPEG-2 and MPEG-4.
Sorenson Squeeze 5 Pro
includes Sorenson Video 3 Pro, Sorenson Spark Pro, Sorenson MPEG-4 Pro
and Sorenson H.264 Pro video codecs.
Includes the On2 VP6 Pro Encoder and BIAS Soundsoap plug-ins. Also includes the Complete Squeeze 5 Training DVD.
Sorenson Squeeze is a single user license. For multiple-seat enterprise licenses, see Sorenson Squeeze 5 Pro Multi-User. |
|
|
|
Sorenson
Squeeze 5 Pro is the industry-leading video encoding tool, enabling
users to efficiently re-purpose video content for web, CD, DVD or
applications. Squeeze allows users to output content in all
popular formats including: Flash, QuickTime, Windows Media, MPEG-1,
MPEG-2 and MPEG-4.
Sorenson Squeeze 5 Pro
includes Sorenson Video 3 Pro, Sorenson Spark Pro, Sorenson MPEG-4 Pro
and Sorenson H.264 Pro video codecs.
Includes the On2 VP6 Pro Encoder and BIAS Soundsoap plug-ins. Also includes the Complete Squeeze 5 Training DVD.
Sorenson Squeeze is a single user license. For multiple-seat enterprise licenses, see Sorenson Squeeze 5 Pro Multi-User. |
|
|
|
Sorenson
Squeeze 5 Pro is the industry-leading video encoding tool, enabling
users to efficiently re-purpose video content for web, CD, DVD or
applications. Squeeze allows users to output content in all
popular formats including: Flash, QuickTime, Windows Media, MPEG-1,
MPEG-2 and MPEG-4.
Sorenson Squeeze 5 Pro
includes Sorenson Video 3 Pro, Sorenson Spark Pro, Sorenson MPEG-4 Pro
and Sorenson H.264 Pro video codecs.
Includes the On2 VP6 Pro Encoder and BIAS Soundsoap plug-ins. Also includes the Complete Squeeze 5 Training DVD.
Sorenson Squeeze is a single user license. For multiple-seat enterprise licenses, see Sorenson Squeeze 5 Pro Multi-User. |
|
|
|
Sorenson
Squeeze 5 Pro is the industry-leading video encoding tool, enabling
users to efficiently re-purpose video content for web, CD, DVD or
applications. Squeeze allows users to output content in all
popular formats including: Flash, QuickTime, Windows Media, MPEG-1,
MPEG-2 and MPEG-4.
Sorenson Squeeze 5 Pro
includes Sorenson Video 3 Pro, Sorenson Spark Pro, Sorenson MPEG-4 Pro
and Sorenson H.264 Pro video codecs.
Includes the On2 VP6 Pro Encoder and BIAS Soundsoap plug-ins. Also includes the Complete Squeeze 5 Training DVD.
Sorenson Squeeze is a single user license. For multiple-seat enterprise licenses, see Sorenson Squeeze 5 Pro Multi-User. |
|
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