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ACP88
- Eight Full Featured Compressor/Limiters
- Eight Full Featured Gates
- Side Chain on Every Channel
- Trigger Inputs on Every Channel
- Balanced/Unbalanced I/O
- Comprehensive Linking via Unique Power Summing Bus
- Takes the Place of Multiple Processors
- Crystal Clear Compression & Gating for Multi-Tracking & Live Sound
- Allows Spectral Processing & Gate Keying via Separate Jacks
- +4/-10 Stereo Operating Level
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Tech Spec
| Number of Channels |
Eight |
| Dynamic Range |
>115dB |
| Signal to Noise Ratio |
>95dB |
| Headroom |
+24dBu, Unbalanced |
| |
+18dBu, Balanced |
| Frequency Response |
10Hz to 50kHz |
| Crosstalk |
<82dB @10kHz |
| Compression Threshold Range |
-40dBu to +20dBu |
| Compression Ratio |
1:1 to 20:1 |
| Compressor Attack Time |
0.02ms to 200 ms |
| Compressor Release Time |
0.5ms to 500ms |
| Auto Attack and Release |
Program Dependent |
| Gate Threshold Range |
-70dBu to +20dBu |
| Gate Attack Time |
0.01ms to 100ms |
| Gate Release Time |
0.02ms to 2 sec |
| Gate Attenuation Range |
-15dB or -60dB |
| Input Impedance |
10k Ohms |
| Output Impedance |
51 Ohms |
| THD + Noise |
<0.02% |
| Output Gain |
-20dB to +20dB |
| Compression Curve Types |
Hard and Soft Knee |
| Compression Metering |
Above/Below Threshold LED |
| Gate Metering |
Open and Closed LED |
| Sidechain Output Impedance |
51 Ohms |
| Sidechain Input Impedance |
10k Ohms |
| Internal Operation Level |
+4dBu=0dBu |
| Input Range |
+4dBu or -10dBu |
| Input Connectors |
1/4" TRS, Balanced or Unbalanced |
| Output Connectors |
1/4" TRS, Balanced or Unbalanced |
| Compressor Sidechain Connector |
1/4" TRS |
| Gate Sidechain Connector |
1/4" TRS |
| Power Supply |
Internal, Linear Supply (factory configured) |
| Power Requirements |
100V AC to 120V AC or 200V AC to 240V AC |
| Power Connection |
IEC Receptacle |
| Size |
2U Rack |
| Dimensions |
19" x 3.5" x 7" |
| Weight |
12lbs. |
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COMP16
- Easy to Use 16 Presets
- Award-Winning Compressor Design
- Ultra Low Noise
- Back-Lit VU for Metering Compression
- Bypass Switch to Audition Compression
- Balanced XLR and Unbalanced ¼” I/O
- Musical / Wide Dynamic Range Compression
- Great for Recording or Live Sound
- Great for Guitars and Basses
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Tech Spec
| Input |
| XLR Impedance |
10k Ohms |
| TRS Impedance |
10k Ohm |
| |
| Panel Controls |
| Input |
-20dB to +20dB |
| Output |
-20dB to +20dB |
| Bypass |
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| Output to Meter |
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| Preset Select Digital Encoder |
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| Meters |
| Blue Backlit VU |
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| Power Supply |
| Type |
Linear |
| Input |
16VAC/1000mA (factory configured) |
| |
| Output |
| XLR Balanced |
51 Ohms Impedance |
| 1/4” TRS Unbalanced |
51 Ohms Impedance |
| |
| Performance |
| THD+Noise (Unweighted) |
0.006% at 0dB |
| Noise Floor |
-98dB |
| Signal To Noise |
>95dB |
| Power Supply Rejection |
>98dB |
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| |
| Physical |
| Weight |
5lbs. |
| Dimensions |
5.5 x 5.5 x 1.75 |
| Mounting |
Universal Rack Tray Insert |
| Chassis |
Steel |
| Panel |
Brushed Aluminum |
| Sides |
Cast Aluminum |
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| Power |
16 Watts |
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EQ3B
- Three fully parametric bands with overlapping frequencies.
- High pass rumble filter.
- Extremely quiet operation.
- Warm, wide dynamic range for recording or live.
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Tech Spec
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| Input |
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XLR Impedance |
10k Ohms |
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TRS Impedance |
10k Ohms |
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| |
| Panel Controls |
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Low Frequency Range |
20Hz to 300Hz |
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Mid Frequency Range |
200Hz to 3kHz |
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High Frequency Range |
2kHz to 20kHz |
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Bandwidth Adjust (Q) |
.1 to 10 |
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Gain Adjust |
-12dB to +12dB |
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High Pass Filter |
80Hz |
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| Power Supply |
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Type |
Linear |
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Insert (TRS) |
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Input |
16VAC/1000mA (factory configured) |
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| |
| Output |
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XLR Balanced |
51 Ohms Impedance |
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1/4" TRS Unbalanced |
51 Ohms Impedance |
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| |
| Performance |
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THD+Noise (Unweighted) |
0.006% at 0dB |
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Noise Floor |
-98dB |
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Signal to Noise |
>95dB |
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Power Supply Rejection |
>98dB |
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| Power |
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16 Watts |
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| Physical |
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Weight |
5lbs. |
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Dimensions |
5.5 x 5.5 x 1.75 |
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Mounting |
Universal Rack Tray Insert |
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Chassis |
Steel |
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Panel |
Brushed Aluminum |
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Sides |
Cast Aluminum |
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Monitor Station
- Main speaker volume adjustment
- 3 stereo inputs (two balanced TRS, one RCA Aux/Phono)
- Three sets of balanced TRS speaker outputs each with level adjustment
- Talkback microphone with volume control to feed headphone and Cue output
- XLR input for external dynamic talkback microphone
- Accurate dual 8-segment LED for metering
- 4 loud and clear headphone amplifiers with separate volume control and independent input source selection
- Main and Cue stereo output with independent input source selection
- Dim with variable level adjustment
- Aux and Phono level adjustment
- Mute and Mono
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| Audio Inputs |
| Talkback Microphone |
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Gain Range |
+15 to +55 dB |
| Internal Microphone |
Type |
electric condensor |
| |
Sensitivity |
-42 dB |
| External Input |
Type |
XLR Female Balanced |
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Input Impedance (Balanced) |
1200 Ω |
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Maximum Gain |
50 dB |
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Maximum Input Level |
-10 dBu |
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Frequency Response |
10 Hz to 40 kHz, ±1 dB |
| Stereo 1 and Stereo 2 Inputs |
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Type |
¼” TRS Active Balanced |
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Input Impedance (Balanced) |
10 kΩ |
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S/N Ratio (1 kHz @ 0 dBu, Unity Gain) |
>110 dB |
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THD+N (unwtd, 1 kHz @ 0 dBu Output, Unity Gain) |
<0.0075% |
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Frequency Response (±0.5 dB) |
10 Hz to 65 kHz |
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Noise Floor (20 Hz to 20 kHz, 150 Ω input termination) |
-96 dBu |
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Maximum Input Level (Minimum Gain, 1 kHz @ 0.5% THD+N) |
+22 dBu |
| Auxiliary Inputs |
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Type |
RCA Active Unbalanced |
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Input Impedance |
47 kΩ |
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S/N Ratio (1 kHz @ 0 dBu, Unity Gain) |
>115 dB |
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THD+N (unwtd, 1 kHz @ 0 dBu Output, Unity Gain) |
<0.01% |
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Frequency Response (±0.5 dB) |
10 Hz to 50 kHz |
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Gain Range |
-80 dB to +10 dB |
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Phono Mode Gain |
32 dB @ 1 kHz |
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Phono Mode THD+N |
<0.05% |
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Phono Mode Noise Floor (40 dB gain, inputs shorted) |
-72 dBu |
| Input Meters (ST1, ST2 & Aux only) |
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Type |
Dual 8-segment LED w/ peak hold |
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Sensitivity Range |
-24 dB to 0 dB |
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| Audio Outputs |
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Type |
¼” TRS Active Balanced |
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Output Impedance (Balanced) |
51 Ω |
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THD+N (unwtd, 1 kHz @ 0 dBu, Unity Gain) |
<0.003% |
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Frequency Response (±0.5 dB) |
10 Hz to 50 kHz |
| Speaker A, B and C |
Trim Range |
¼" TRS Active Stereo |
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Main Level Range |
-80 dB to 0 dB |
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Dim Attenuation Range |
-80 dB to 0 dB |
| Cue |
Main Level Range |
-80 dB to 0 dB |
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Dim Attenuation (Talkback activated) |
-20 dB |
| Headphones |
Type |
¼” TRS Active Stereo |
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Maximum Output (60 Ω load) |
150 mW / channel |
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Frequency Response (±1.0 dB) |
10 Hz to 50 kHz |
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| Power |
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Power Supply Type |
External AC Transformer / Internal Line (factory configured) |
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Input Connector Type |
Barrel, 5.5 mm outside diameter, 2.1 mm inside diameter |
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Monitor Station Input Voltage Range |
16 VAC |
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Power Requirements (Continuous) |
10W |
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| Physical |
| Main Chassis |
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Dimensions |
9.5(W) X 3(H) X 8.75(D) inches |
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Weight |
10lbs |
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FireStudio Project
- High-Speed FireWire (IEEE 1394) Audio Interface
- Up to 96K Sampling Rate
- 8 XMAX Class A Microphone Preamplifiers (+60dB gain) w/ Trim Control
- 8 Analog Mic/Line Inputs, 2 Instrument Inputs
- 8 Analog Line Outputs
- S/PDIF Digital Input and Output, MIDI Input and Output
- Balanced Send / Return for Channels 1 and 2
- Zero Latency Monitoring with FireControl Mixer/Router
- Separate Balanced Main Outputs and 8 Balanced Analog Outputs
- Daisy-chain multiple FireStudio Project’s and FireStudio Tube’s (see instructions)
- FREE ProPak Software Suite including Cubase LE 4 Audio Production Software
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Computer System Requirements
Below are the minimum computer system requirements for your FireStudio Project.
Windows
- OS: Microsoft Windows XP SP2 and Vista 32
- Computer: Windows compatible computer with FireWire port.
- CPU/Clock: Pentium, Celeron with 1.6Ghz or higher
- Memory(RAM): 512 MB (1 GB recommended)
Macintosh
- OS: MacOS X 10.4.x or later (10.5 supported with driver update)
- Computer: Apple Macintosh series with on-board FireWire port.
- CPU/Clock: PowerPC G4/Dual 1 GHZ or faster, all Intel-based Mac models.
- Memory(RAM): 512 MB (1 GB recommended)
Note that the speed of your processor, amount of RAM and size and speed of your hard drive will greatly affect the overall performance of your recording system. Also, a more powerful system (faster processor with more RAM) will allow for lower latency (signal delay) that you might experience while monitoring audio or MIDI signals.
Monitor resolution for both PC and Macintosh should be no lower than 1024x768 pixels.
| Microphone Preamp |
| Type |
XLR Female Balanced |
| Frequency Response (±0.5 dB) |
20 Hz to 50 kHz |
| Frequency Response (±3.0 dB) |
20 Hz to 150 kHz |
| Input Impedance (Balanced) |
1600 Ω |
| THD+N (unwtd, 1kHz @ +4 dBu Output, Unity Gain |
< 0.0003% |
| EIN (unwtd, 55dB Gain, 150 Ω Input, 20Hz to 22kHz |
-126 dBu |
| S/N Ratio (Unity Gain, unwtd, Ref. = +4 dBu, 20Hz to 22 kHz |
> 101dB |
| Common Mode Rejection Ratio (1 kHz, 55 dB Gain) |
> 55dB |
| Gain Control Range (± 1dB) |
-4 dB to 50dB |
| Maximum Input Level (Unity Gain, 1 kHz @ 0.5% THD+N) |
+14 dBu |
Signal Level LEDS
Red / Clip (±0.5 dB)
Yellow (±0.5 dB)
Green (±0.5 dB) |
+10 dBu (o dBFS)
+4 dBu (-6 dBFS)
-30 dBu (-40 dBFS)
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| Phantom Power (±2 VDC) |
+48 VDC |
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| Instrument Input (channels 1 & 2 only) |
| Type |
XLR Female Balanced |
| Input Impedance |
1 MΩ |
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| Line Inputs |
| Type |
XLR Female Balanced |
| Frequency Response (±0.5 dB) |
20 Hz to 50 kHz |
| Frequency Response (±3.0 dB) |
20 Hz to 150 kHz |
| Input Impedance (Balanced) |
10 KΩ |
| THD+N (unwtd, 1kHz @ +4 dBu Output, Unity Gain |
< 0.0003% |
| S/N Ratio (Unity Gain, unwtd, Ref. = +4 dBu, 20Hz to 22 kHz |
> 101dB |
| Gain Control Range (±1 dB) |
-16dB to +16dB |
| Maximum Input Level (Unity Gain, 1 kHz @ 0.5% THD+N) |
+10 dBu |
| Maximum Input Level (Minimum Gain, 1 kHz @ 0.5% THD+N) |
+22 dBu |
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| Line Ouputs (including Preamp Output, General Purpose Outputs and Main Outputs) |
| Type |
¼" TRS Balanced |
| Output Impedance |
51 Ω |
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| Headphone Output |
| Type |
¼" TRS Active Stereo |
| Maximum Output |
150 mW/CH @ 60 Ω Load |
| Frequency Response (±1.0 dB) |
10 Hz - 70kHz |
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| Digital Audio |
| FireWire (IEEE 1394) Speed |
400mbps |
| ADC Dynamic Range (Awtd, 48 kHz Sample Rate) |
114 dB |
| DAC Dynamic Range (Awtd, 48 kHz Sample Rate) |
114 dB |
| Bit Depth |
24 |
| Reference Level for 0dBFS |
+10 dBu |
| Internal Sample Frequency Selections (kHz) |
44.1, 48, 88.2, 96 |
| Jitter Specification |
<20ps RMS, 20Hz-20kHz |
| Jitter Attenuation |
>60dB; 1ns in approx.1ps out |
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| Power |
| Input Connector Type |
IEC |
| Input Voltage (factory configured) |
90 to 230 VAC |
| Power Requirements (Continuous) |
20W |
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| Physical |
| Main Chassis |
| Package Type |
1U - steel chassis |
| Dimensions |
19(W) X 1.75(H) X 7(D) inches |
| Weight |
7.0lbs |
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FireStudio Tube
- 24-bit/96K firewire (IEEE 1394)
- 16 inputs/6 outputs simultaneous record/playback channels
- 2 SuperChannels (tube microphone/instrument preamplifier with analog limiter)
- 8 XMAX microphone preamplifiers
- 2 PreSonus microphone/instrument preamplifiers
- 6 balanced TRS line outputs
- MIDI Input/Output
- 16x8 FireControl DSP mixer/router
- JetPLL Sync for improved imaging and clarity
- High performance A/D/A converters (114 dynamic range)
- Windows and Macintosh compatible
- Daisy-chain multiple FireStudio Project’s and FireStudio Tube’s (see instructions)
- ProPak Software Suite including Cubase LE 4 audio production software
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Computer System Requirements
Below are the minimum computer system requirements for your FireStudio Tube.
Windows - OS: Microsoft Windows XP and Windows Vista
* CPU/Clock: or Athlon 900MHz (1.5 GHz or higher recommended)
* Memory(RAM): 1 GB (more recommended)
Macintosh
- OS: MacOS X 10.4.x or later (10.5 supported with driver update)
- CPU/Clock: PowerPC G4/Dual 1 GHZ or faster, all Intel-based Mac models.
- Memory(RAM): 1 GB (more recommended)
Windows and Macintosh Systems
- IEEE 1394 FireWire 400 Port
- Internet connection
- DVD-ROM drive
- Internal or external 7200RPM storage drive is highly recommended
Note that the speed of your processor, amount of RAM and size and speed of your hard drive will greatly affect the overall performance of your recording system. Also, a more powerful system (faster processor with more RAM) will allow for lower latency (signal delay) that you might experience while monitoring audio or MIDI signals.
Monitor resolution for both PC and Macintosh should be no lower than 1024x768 pixels.
| Microphone Preamp 1-8 (XLR Balanced) |
| Type |
XLR Female Balanced |
| Frequency Response (±0.5 dB) |
20 Hz to 50 kHz |
| Frequency Response (±3.0 dB) |
20 Hz to 150 kHz |
| Input Impedance (Balanced) |
1600 Ohm |
| THD+N (unwtd, 1kHz @ +4 dBu Output, Unity Gain |
< 0.0003% |
| EIN (unwtd, 55dB Gain, 150 Ω Input, 20Hz to 22kHz |
-126 dBu |
| S/N Ratio (Unity Gain, unwtd, Ref. = +4 dBu, 20Hz to 22 kHz |
> 101dB |
| Common Mode Rejection Ratio (1 kHz, 55 dB Gain) |
> 55dB |
| Gain Control Range (± 1dB) |
-4 dB to 50dB |
| Maximum Input Level (Unity Gain, 1 kHz @ 0.5% THD+N) |
+14 dBu |
| Phantom Power (±2 VDC) |
+48 VDC |
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| Instrument Input |
| Type |
1/4" TS |
| Input Impedance |
1 Mega Ohm |
|
| Preamps 15 & 16 |
| Gain Reduction |
-16 to +20 dB |
| ThD+N (unwtd, 1KHz @ +4dBu Output, Unity Gain) |
<.2% |
| Limiter |
0 to -18dBu |
| Gain Control (+/-1dB) |
+4dB to +58dB |
| 80 Hz filter |
< 0.0003% |
|
| Line Inputs 9-14 (1/4” TRS) |
| Frequency Response (+0,- 0.5dB) |
20Hz to 50kHz |
| Frequency Response (+0/-3.0 dB) |
20Hz to 150kHz |
| Input Impedance (Balanced) |
10 KOhm |
| THD+N (unwtd, 1KHz @ +4dBu Output, Unity Gain) |
< 0.003% |
| S/N Ratio (Unity Gain, unwtd, Ref. = +4dBu, 20Hz to 22KHz) |
>101dB |
| Maximum Input Level (Unity Gain, 1KHz @ 0.5% THD+N) |
+20dBu |
|
| Headphone Output |
| Type |
TRS Active Stereo |
| Maximum Output |
150 mW/CH @ 60 Ohm Load |
| Frequency Response (±1.0 dB) |
10 Hz - 70kHz |
|
| Digital Audio |
| FireWire (IEEE 1394) Speed |
400mbps |
| ADC Dynamic Range (Awtd, 48 kHz Sample Rate) |
114 dB |
| DAC Dynamic Range (Awtd, 48 kHz Sample Rate) |
114 dB |
| Bit Depth |
24 |
| Reference Level for 0dBFS |
+10 dBu |
| Internal Sample Frequency Selections (kHz) |
44.1, 48, 88.2, 96 |
| Jitter Specification |
<20ps RMS, 20Hz-20kHz |
| Jitter Attenuation |
>60dB; 1ns in approx.1ps out |
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| Power |
| Input Connector Type |
IEC |
| Input Voltage (factory configured) |
90 to 240 VAC |
| Power Requirements (Continuous) |
20W |
|
| Physical |
| Main Chassis |
| Package Type |
1U - steel chassis |
| Dimensions |
19(W) X 1.75(H) X 9.5(D) inches |
| Weight |
10.0lbs |
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FP10
- High-Speed FireWire (IEEE 1394) Audio Interface
- Up to 96K Sampling Rate
- 8 XMAX Class A Microphone Preamplifiers (+60dB gain) w/ Trim Control
- 8 Analog Mic/Line Inputs, 2 Instrument Inputs
- 8 Analog Line Outputs
- S/PDIF Digital Input and Output, MIDI Input and Output
- Balanced Send / Return for Channels 1 and 2
- Zero Latency Monitoring
- Separate Main and Cue Mix Outputs
- Daisy-chain multiple FP10's for additional inputs/outputs
- FREE ProPak Software Suite including Cubase LE Audio Production Software Included
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Computer System Requirements
Windows
- OS: Microsoft Windows XP (32-bit & 64-bit) and Windows Vista (32-bit & 64-bit)
- CPU/Clock: or Athlon 900MHz (1.5 GHz or higher recommended)
- Memory(RAM): 1 GB (more recommended)
Macintosh
- OS: MacOS X 10.3.5 or later
- CPU/Clock: PowerPC G4/Dual 1 GHZ or faster, all Intel-based Mac models.
- Memory(RAM): 1 GB (more recommended)
Windows and Macintosh Systems
- IEEE 1394 FireWire 400 Port
- Internet connection
- DVD-ROM drive
- Internal or external 7200RPM storage drive is highly recommended
Note that the speed of your processor, amount of RAM and size and speed of your hard drive will greatly affect the overall performance of your recording system. Also, a more powerful system (faster processor with more RAM) will allow for lower latency (signal delay) that you might experience while monitoring audio or MIDI signals.
Monitor resolution for both PC and Macintosh should be no lower than 1024x768 pixels.
| Microphone Preamp 1-8 (XLR Balanced) |
| Type |
XLR Female Balanced |
| Frequency Response (±0.5 dB) |
20 Hz to 50 kHz |
| Frequency Response (±3.0 dB) |
20 Hz to 150 kHz |
| Input Impedance (Balanced) |
1600 Ohm |
| THD+N (unwtd, 1kHz @ +4 dBu Output, Unity Gain |
< 0.005% |
| EIN (unwtd, 55dB Gain, 150 Ω Input, 20Hz to 22kHz |
-125 dBu |
| S/N Ratio (Unity Gain, unwtd, Ref. = +4 dBu, 20Hz to 22 kHz |
> 101dB |
| Common Mode Rejection Ratio (1 kHz, 55 dB Gain) |
> 55dB |
| Gain Control Range (± 1dB) |
-4 dB to 50dB |
| Maximum Input Level (Unity Gain, 1 kHz @ 0.5% THD+N) |
+14 dBu |
| Phantom Power (±2 VDC) |
+48 VDC |
|
| Instrument Input (1/4" TS input channels 1-2) |
| Type |
1/4" TS |
| Input Impedance |
1 Mega Ohm |
| |
|
| Line Inputs (1/4” TRS input channels 3-8) |
| Frequency Response (+0,- 0.5dB) |
20Hz to 50kHz |
| Frequency Response (+0/-3.0 dB) |
20Hz to 150kHz |
| Input Impedance (Balanced) |
10 KOhm |
| THD+N (unwtd, 1KHz @ +4dBu Output, Unity Gain) |
< 0.003% |
| S/N Ratio (Unity Gain, unwtd, Ref. = +4dBu, 20Hz to 22KHz) |
>101dB |
| Maximum Input Level (Unity Gain, 1KHz @ 0.5% THD+N) |
+20dBu |
|
| Line Outputs (1/4" TRS) |
| Output Impedance |
51 Ohms |
| Cue and Main Output Impedance |
51 Ohms |
| Headphone Output |
| Type |
TRS Active Stereo |
| Maximum Output |
150 mW/CH @ 60 Ohm Load |
| Frequency Response (±1.0 dB) |
20 Hz - 20kHz |
|
| Digital Audio |
| FireWire (IEEE 1394) Speed |
400mbps |
| ADC Dynamic Range (Awtd, 48 kHz Sample Rate) |
107 dB |
| DAC Dynamic Range (Awtd, 48 kHz Sample Rate) |
107 dB |
| Bit Depth |
24 |
| Internal Sample Frequency Selections (kHz) |
44.1, 48, 88.2, 96 |
Simultaneous record/playback channels and sample rate |
Single Unit (10 in, 10out @ 24/96K)
Two FP10's (up to 16 in/out @ 24-bit/ 44.1k or 48K)
Three FP10's (up to 24 in/out @ 24-bit/44.1k or 48k)
Note: FP10's and FirePod's can be daisy-chained |
| |
|
|
| Power |
| Input Connector Type |
IEC |
| Input Voltage (factory configured) |
90 to 240 VAC |
| Power Requirements (Continuous) |
20W |
| Internal Sample Frequency Selections (kHz) |
44.1, 48, 88.2, 96 |
|
| Physical |
| Main Chassis |
|
| Package type |
1U - steel chassis |
| Dimensions |
19"x1.75"x7" |
| Weight |
8 lbs |
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Inspire 1394
- 24-bit/96k A/D/A sample rate
- Four simultaneous input channels
- Two microphone/instrument preamplifiers
- Switchable line input or phono input(with RIAA filter)
- Software Control Panel and zero latency mixer
- Window XP and Macintosh OSX compatible
- FireWire bus-powered or powered externally
- ProPak Software Suite
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Computer System Requirements
Windows
- OS: Microsoft Windows XP (32-bit & 64-bit) and Windows Vista (32-bit & 64-bit)
- CPU/Clock: or Athlon 900MHz (1.5 GHz or higher recommended)
- Memory(RAM): 500 MB (more recommended)
Macintosh
- OS: MacOS X 10.4.x or later (10.5 supported with driver update)
- CPU/Clock: PowerPC G4/Dual 1 GHZ or faster, all Intel-based Mac models.
- Memory(RAM): 500 MB (more recommended)
Windows and Macintosh Systems
- IEEE 1394 FireWire 400 Port
- Internet connection
- DVD-ROM drive
- Internal or external 7200RPM storage drive is highly recommended
Note that the speed of your processor, amount of RAM and size and speed of your hard drive will greatly affect the overall performance of your recording system. Also, a more powerful system (faster processor with more RAM) will allow for lower latency (signal delay) that you might experience while monitoring audio or MIDI signals.
Monitor resolution for both PC and Macintosh should be no lower than 1024x768 pixels.
| Microphone Preamps 1-2 |
| Microphone input |
XLR Female |
| Frequency Response (±0.5 dB) |
10 Hz to 50 kHz |
| Instrument Input Impedance (Balanced) |
500k Ohm |
| THD+N (unwtd, 1kHz @ +4 dBu Output, Unity Gain |
< 0.01% |
| Phantom Power (±2 VDC) |
+48 VDC |
| |
| Instrument Input 1-2 |
| Type |
1/4" TS |
| Input Impedance |
1 Mega Ohm |
| |
| Line Inputs 3-4 (RCA) |
| Frequency Response (+0,- 0.5dB) |
10Hz to 50kHz |
| Input Impedance (Balanced) |
47.5 KOhm |
| |
| Headphone Output |
| Type |
Mini TRS Active Stereo |
| Maximum Output |
150 mW/CH @ 60 Ohm Load |
| Frequency Response (±1.0 dB) |
20 Hz - 20kHz |
| |
| Digital Audio |
| FireWire (IEEE 1394) Speed |
400mbps |
| ADC Dynamic Range (Awtd, 48 kHz Sample Rate) |
102 dB |
| DAC Dynamic Range (Awtd, 48 kHz Sample Rate) |
108 dB |
| Bit Depth |
24 |
| Internal Sample Frequency Selections (kHz) |
44.1, 48, 88.2, 96 |
| Daisy-chain multiple Inspire 1394 |
4 units total, maximum of 16 input/output at 96kHz |
| |
| Power |
| Bus Power |
Six-pin FireWire port |
| Power Supply |
Ext. line Transformer, Internal switching (factory configured) |
| |
| Physical |
| Dimensions |
5.5"(W) X 2"(H) X 5.5"(D) inches |
| Weight |
5.0 lbs |
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Sorenson
Squeeze 5 Pro is the industry-leading video encoding tool, enabling
users to efficiently re-purpose video content for web, CD, DVD or
applications. Squeeze allows users to output content in all
popular formats including: Flash, QuickTime, Windows Media, MPEG-1,
MPEG-2 and MPEG-4.
Sorenson Squeeze 5 Pro
includes Sorenson Video 3 Pro, Sorenson Spark Pro, Sorenson MPEG-4 Pro
and Sorenson H.264 Pro video codecs.
Includes the On2 VP6 Pro Encoder and BIAS Soundsoap plug-ins. Also includes the Complete Squeeze 5 Training DVD.
Sorenson Squeeze is a single user license. For multiple-seat enterprise licenses, see Sorenson Squeeze 5 Pro Multi-User. |
|
|
|
Sorenson
Squeeze 5 Pro is the industry-leading video encoding tool, enabling
users to efficiently re-purpose video content for web, CD, DVD or
applications. Squeeze allows users to output content in all
popular formats including: Flash, QuickTime, Windows Media, MPEG-1,
MPEG-2 and MPEG-4.
Sorenson Squeeze 5 Pro
includes Sorenson Video 3 Pro, Sorenson Spark Pro, Sorenson MPEG-4 Pro
and Sorenson H.264 Pro video codecs.
Includes the On2 VP6 Pro Encoder and BIAS Soundsoap plug-ins. Also includes the Complete Squeeze 5 Training DVD.
Sorenson Squeeze is a single user license. For multiple-seat enterprise licenses, see Sorenson Squeeze 5 Pro Multi-User. |
|
|
|
Sorenson
Squeeze 5 Pro is the industry-leading video encoding tool, enabling
users to efficiently re-purpose video content for web, CD, DVD or
applications. Squeeze allows users to output content in all
popular formats including: Flash, QuickTime, Windows Media, MPEG-1,
MPEG-2 and MPEG-4.
Sorenson Squeeze 5 Pro
includes Sorenson Video 3 Pro, Sorenson Spark Pro, Sorenson MPEG-4 Pro
and Sorenson H.264 Pro video codecs.
Includes the On2 VP6 Pro Encoder and BIAS Soundsoap plug-ins. Also includes the Complete Squeeze 5 Training DVD.
Sorenson Squeeze is a single user license. For multiple-seat enterprise licenses, see Sorenson Squeeze 5 Pro Multi-User. |
|
|
|
Sorenson
Squeeze 5 Pro is the industry-leading video encoding tool, enabling
users to efficiently re-purpose video content for web, CD, DVD or
applications. Squeeze allows users to output content in all
popular formats including: Flash, QuickTime, Windows Media, MPEG-1,
MPEG-2 and MPEG-4.
Sorenson Squeeze 5 Pro
includes Sorenson Video 3 Pro, Sorenson Spark Pro, Sorenson MPEG-4 Pro
and Sorenson H.264 Pro video codecs.
Includes the On2 VP6 Pro Encoder and BIAS Soundsoap plug-ins. Also includes the Complete Squeeze 5 Training DVD.
Sorenson Squeeze is a single user license. For multiple-seat enterprise licenses, see Sorenson Squeeze 5 Pro Multi-User. |
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