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- L2 Ultramaximizer
- MaxxVolume
- Z-Noise
- C4 Multiband
- Waves Tune
- L3-16 Multimaximizer
- IR1 Reverb
- Center
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For mixing, mastering, and more, the L2’s legendary combination of look-ahead brickwall peak limiting, level maximization, and ultra high resolution give you the power and extra gain you need with crystal-clear results every single time.

Features:
- Manual and ARC™ Automatic Release Control
- IDR™ Increased Digital Resolution with double precision bit re-quantization and dither with 9th-order noise shaping filter
- Double precision bit resolution processing
- Up to 24bit 192kHz resolution
- Mono and Stereo components
- Supports TDM, RTAS, Audio Suite, VST, AU
- PC and Mac compatible
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Controls
Input Meter -30dB to 0dB with an integrated Threshold control, Peak Hold indicators
Output Meter -30dB to 0dB with an integrated Output Ceiling control, Peak Hold indicators
Link Links Threshold and Output Ceiling
Release 0.01ms to 1,000ms
ARC™ Auto Release Control
Attenuation Meter 0dB to 30dB with peak hold indicator
IDR™ Controls:
Quantize: None, 24, 22, 20, 18, or 16bit
Dither Type: 1, 2, or none
Shaping: Moderate, Normal, Ultra, or None |
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The very first plug-in of its kind, MaxxVolume performs all essential dynamics processes in one convenient tool. Combining technologies from Waves' acclaimed L2 Ultramaximizer™, C1 Parametric Compander, Renaissance Vox, and Renaissance Compressor, MaxxVolume is ideal for mixing and mastering as well as broadcast and post-production, perfect for voiceovers, vocals, and instrumental tracks.
It’s a Vocal tool, with automatic level riding that keeps your vocal in focus.
It’s an Instrument tool, controlling the dynamic range without the artifacts of compressors and limiters.
It’s a Broadcast tool, bringing any program to a fixed destination level; ideal for radio and TV, podcasting, internet streaming, and more.
When time and fidelity is of the essence, turn to MaxxVolume, and turn it up.

Features:
- High level compression
- Low level compression
- Gating
- Leveling (Auto Gain Control)
- Double precision bit resolution processing
- Up to 24bit 192kHz resolution (TDM 24/96 only)
- Mono and Stereo components
- Supports TDM, RTAS, Audio Suite, VST, AU
- PC and Mac compatible
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Controls
Low Level:
Threshold -96dB to 0dB
Threshold On/off
Gain 0dB to +48dB
Gain Meter 0dB to +48dB
Gate:
Threshold -96dB to 0dB
Threshold On/off
Energy Meter -96dB to 0dB
Leveler:
Threshold -48dB to 0dB
Threshold On/off
High Level:
Threshold -48dB to 0dB
Threshold On/off
Gain -48dB to 0dB
Gain Meter -48dB to 0dB
Output Meter -96dB to 0dB with peak hold and clip indicators
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Hiss happens. So does ground hum, computer noise, and any number of unwanted sonic artifacts. Bring on Z-Noise, and hear them disappear. Featuring real-time noise profiling, innovative transient preservation, and increased low-frequency resolution, Z-Noise truly is a revolution in noise reduction. |
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Features:
- 5-Band Noise Profile EQ
- Enhanced low-frequency resolution and time sensitivity
- Monitor the entire output or just the noise
- Exclusive Extract mode creates noise profile from sources containing signal and noise
- Adaptive dynamic detection for noise that changes over time
- Up to 24bit 96kHz resolution
- Mono and Stereo components
- Supports RTAS, Audio Suite, VST, AU
- PC and Mac compatible
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Controls
Threshold -60dB to +60dB
Reduction 0 to 50
Noise Reduction (NR) Meter -Inf. to 0dB
Attack 0.01ms to 1,000ms
Release 0.01ms to 5,000ms
Transients 0dB to 30dB
Knee 0 to 100
5 Band Noise Profile EQ
On/Off Per Band
Shape Low Shelf, High Shelf, Bell or Notch
Gain -30dB to +30dB
Frequency 30Hz to 22,016Hz
Q 0.26 to 6.5
Frequency Band Marker Graphic control over Frequency and Gain per band
Noise Profile
Learn Captures Noise Profile from Noise selection
Extract Captures Noise Profile from Program Audio
Adaptive Constantly Updates the Captured Noise Profile from Program Audio
Optimize Punch, Normal or Smooth
Analyzer Display Shows graphs for the Input Signal, Output Signal, Noise Profile and EQ Profile
Monitor Audio or Difference
Output Meter -30dB to 0dB with peak hold indicator |
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The ultimate multiband dynamics processor, the C4 does it all: 4-bands of up and down expansion, limiting, and compression, plus dynamic and standard EQ. Combining technologies from our acclaimed Renaissance Compressor and the powerful C1 Parametric Compander, the C4 gives you unprecedented control over the contours of your mix, with maximum clarity and transparency.

Features:
- 4 parametric bands
- ARC™ Auto Release Control
- Double precision bit resolution processing
- Up to 24bit 192kHz resolution (TDM 24/96 Accel only)
- Mono and Stereo components
- Supports TDM, RTAS, Audio Suite, VST, AU
- PC and Mac compatible
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Controls
Input Gain Fader –inf. to 0dB
Range -24dB to +18dB per band
Gain -18dB to +18dB per band
Attack 0.5ms to 500ms per band
Release 5ms to 5,000ms per band
Threshold -80dB to 0dB per band
Energy Level Meter -80dB to 0dB per band
Solo per band Bypass per band
DynamicLine™ Graph Shows reduction curve -18dB to +18dB, 16Hz to 20kHz
Frequency Band Marker Graphic control over Frequency/Gain per band
Master Controls Global control of threshold, gain, range, attack and release settings
Release Type ARC™ or Manual
Behavior Opto or Electro
Knee Type Soft to Hard, 0.00 to 0.75
Crossover:
Low 40Hz – 250Hz
Mid 100Hz – 5993Hz
High 2kHz – 16kHz
Q 0.1 to 0.75
Output Gain Fader -18dB to +18dB
Output Meter -80dB to 0dB with peak hold and clip indicators |
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With full ReWire support, formant correction, and an extensive palette of pitch shaping tools, Waves Tune lets you do all your editing right there within your DAW environment - no need to export sections or work offline. Better sounding and more flexible than any other pitch correction processor, Waves Tune will get your vocals back on track.

Features:
- Operates in sync and controls host transport using ReWire
- Pitch Edit Graph with Waveform Overview, Timeline, Piano Roll and Pitch Editor
- 3 timeline modes including bars/beats, minutes/seconds and samples
- Up to 24bit 96kHz resolution
- Mono and Stereo components
- Supports RTAS, Audio Suite, VST, AU
- PC and Mac compatible
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Controls
Global Controls:
Reference Pitch 220Hz to 880Hz
Shift -1200 cents to 1200 cents
Formant Corrected/Non-Corrected
Range Generic, Bass, Baritone, Tenor, Alto, Mezzo-Soprano, Soprano
Receive MIDI On/Off
Export to MIDI file
Pitch Shift Meter -100 cents to 100 cents
Timeline and Display Preferences Menu
Edit Window Controls:
Piano Roll 2 octave display
Edit Scale
Select All
Clear Selection
Auto Scrolling On/Off
Horizontal/Vertical Zoom +/-
Reset Zoom
Segmentation Controls:
RootNote Semi-tone Scale
Scale 43 Pre-defined presets
Note Tolerance 0% to 100%
Natural Vibrato Segmentation On/Off
Apply
Edit Tools Note, Scissors, Pencil, Zoom, Curve, Glue, Line and Navigate
Undo/Redo 32 levels
Correction Controls:
Speed 0ms to 800ms
NoteTransition 0ms to 800ms
Ratio 0% to 100%
Natural Vibrato Controls:
Natural Vibrato On/Off
Attack 0ms to 2000ms
Amount 0.0 to 2.0
Synth Vibrato Controls:
Synth Vibrato On/Off
Waveform Sine, Triangle, Square, Sawtooth
Depth -300 cents to 300 cents
PreDelay 0ms to 5000ms
Attack 0ms to 2000ms
Rate 1Hz to 20Hz |
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Presenting the newest member of Waves’ acclaimed L-Series: the L3-16 Multimaximizer, a 16 band peak limiter delivering unparalleled loudness with unprecedented control. Powered by Waves patented PLMixer™ Peak Limiting Mixer technology, the L3-16 maximizes your sound with pinpoint precision and breathtaking detail. With a wide variety of sonic flavors ranging from analog warm to digital cool, no matter what genre, no matter what sound, you’ll stand out from the crowd, loud and clear.

Features:
- Intuitive Paragraphic interface
- Built-in linear phase equalizer
- ARC™ Automatic Release Control
- IDR™ Increased Digital Resolution with double precision bit re-quantization and dither with 9th-order noise shaping filter
- Linear phase filtering for maximum output, free of phase distortion
- Up to 24bit 96kHz resolution
- Mono and Stereo components
- Supports, RTAS, Audio Suite, VST, AU
- PC and Mac compatible
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Controls
Peak Limiter:
Input Meter -30dB to 0dB with an integrated Threshold control, Peak Hold indicators
Output Meter -30dB to 0dB with an integrated Output Ceiling control, Peak Hold indicators
Attenuation Meter -30dB to 0dB
Release 0.10ms to 10.00ms
Release Character Release and priority factory presets
Separation Low, Medium, High
Priority / Gain Controls:
Priority -18dB to +18dB per band
Gain -18dB to +18dB per band
Gain and Priority Link
Freq 16Hz to 21,357Hz per band
Q 0.5 to 2.0 per band
Filter Type Bell, Low Shelf, High Shelf per band
In/Out per band
DynamicLine™ Graph Shows reduction curve -18dB to +15dB, 16Hz to 20kHz
Frequency Band Markers Graphic control over EQ and Priority curves
IDR™ Controls:
Quantize 24, 22, 20, 18, or 16bit
Dither Type 1, 2, or None
Shaping Moderate, Normal, Ultra, or None |
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Wembley Arena. Grand Ole Opry. Sydney Opera House. CBGB’s. Birdland. Want to record in the world’s greatest venues? Now you can. IR1 puts the meticulously captured sound of these and many other renowned spaces in your hands. It lets you capture the sonic characteristics of your favorite rooms and hardware, and shape the reverbs with pinpoint precision. Everybody wants to play the big rooms. With the IR1, you’re there.

Features:
- Convolution Start & Length
- Early Reflections Buildup
- RT60 extends reverb time up to four times while preserving natural envelope and frequency content
- Over 100 Impulse Responses
- Capture and create your own convolution reverbs
- Double precision bit resolution processing
- Up to 24bit 96kHz resolution
- Mono, Mono-to-Stereo and Stereo components
- Supports RTAS, Audio Suite, VST, AU
- PC and Mac compatible
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Controls
CPU Mode Full CPU or Low CPU
Reverse On/Off
IR Graph:
Gain and Time -90dB to 0dB, 0s to 10s
Envelope -60dB to +30dB, with Bypass and Clear functions
Zoom In and out on the time axis
Zoom Reset Defaults to 6s display
Reverb Damping:
Low Freq 16Hz to 16kHz
Low Ratio 0.10 to 2.00
High Freq 1,000Hz to 21kHz
High Ratio 0.10 to 2.00
Reverb EQ:
Low Shelf Filter -24dB to +12dB, 16Hz to 16kHz, Q 0.71 to 1.41
Low Bell Filter -24dB to +12dB, 16Hz to 16kHz, Q 0.26 to 6.50
High Bell Filter -24dB to +12dB, 1,000Hz to 21kHz, Q 0.26 to 6.50
High Shelf Filter -24dB to +12dB, 1,000Hz to 21kHz, Q 0.71 to 1.41
Reverb Time Section:
Convolution Start 0s to 1s
Convolution Length 0s to 6s
RT60 Indicator 0.1s to 10s
Ratio 0.25 to 4.00
Reverb Control Parameters:
Size 0.25 to 4.00
Density 0.25 to 4.00
Resonance 0.25 to 4.00
Decorrelation 0 to 100%
Latency Shows the current latency in ms
Dry 0ms to 30ms delay of the dry signal
ER Buildup 0ms to 150ms
ER/TRX Crossover -100ms to 100ms
Crosstalk 0 to 100 (IR-1 Efficient module only)
Dry/Wet 0% to 100%
Dry Gain -inf to 0dB
Wet Properties
Direct Off to 0dB
Direct Pre-delay 0ms to 500ms
Early Reflections Off to 0dB
Early Reflections Pre-delay 0ms to 500ms
Tail Off to 0dB
Tail Pre-delay -100ms to 500ms
Output Gain Fader -50dB to 0dB
Output Meter -30dB to 0dB with peak hold and clip indicators |
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Ideal for final mixes and mastering, Waves Center is an innovative new processor that separates phantom Center content from Side (L/R) content. With Center, you can zero in on the phantom center and bring out or bring down the vocals without affecting everything else. Perfect for post-production engineers and DJs as well, Center lets you reposition, isolate, and even eliminate elements of your mix.
Using a unique dynamic engine which considers the amplitude, frequency, and time envelope of stereo sources, Center gives you the power to radically re-balance your spatial imagery. Adjustable punch, high frequency, and low frequency controls let you enhance detail with maximum impact.

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Controls
High controls balance of high frequency content between the Center and Sides. 0 - 100 (0=Center)
Low controls balance of low frequency content between the Center and Sides. 0 - 100 (0=Center)
Punch controls the spread of transient content between the Center and Sides. 0 - 100 (0=Center)
Center controls the Center gain. +6dB to Off
Sides controls the Sides gain +6dB to Off
Master Gain controls the overall stereo gain. +6dB to -24dB
Output Meters displays the stereo output after processing. 0 dBFS to -36 dBFS
Center Detection Meter Displays the Center content of the stereo source |
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